Love, Poverty, and War

November 15, 2004
Branded an apostate by the left for his post-9/11 embrace of the U.S.'s war on terror, former Nation
columnist Hitchens reprints some of the offending pieces, along with lighter fare. The title names the book's three sections. "Love" turns out to be "of literature"; displaying an eclectic range, Hitchens analyzes the new English translations of Marcel Proust as perceptively as he attacks Christopher Ricks's Dylan's Vision of Sin
, among other works. When he shifts to "Poverty," Hitchens's caustic intolerance for the hypocrisy he sees in public figures comes to the fore. Some objects of his scorn are familiar—Mother Teresa, Bill Clinton—but he also finds new targets ranging from Martha Stewart to the Dalai Lama and Mel Gibson, with special opprobrium for Michael Moore, whose Fahrenheit 9/11
is dubbed "a sinister exercise in moral frivolity." The "War" material more fully documents Hitchens's break with the left and finds him passionately arguing against citing U.S. foreign policy, past or present, to rationalize terrorism. In other essays throughout the collection, from a nostalgic account of a drive along historic Route 66 to fond memories of the WTC towers, readers may be surprised to see the master of cynicism engaging in open sentimentality. Even when Hitchens isn't quite what one anticipates, however, he's as sharp a writer as one has come to expect.

January 1, 2005
"An antique saying has it that a man's life is incomplete unless or until he has tasted love, poverty, and war." So begins the introduction to this latest book from contrarian Hitchens (A Long Short War: The Postponed Liberation of Iraq), which gathers a decade's worth of essays, articles, and columns from such magazines as the Nation and Vanity Fair. "Love," the book's opening section, contains essays on the beauty and timelessness of literature. Simultaneously critical and reverential, Hitchens speaks of many notable writers, including Byron, Joyce, Borges, and Huxley. In "Poverty," he reflects on his relationship to, and hatred of, the poverty of ideas and political hypocrisy found in the world, including terrorism, religious extremism, and capital punishment. "War" includes Hitchens's passionate and intense essays on the aftermath of 9/11, the war in Iraq, and the conflicts in Afghanistan, the Balkans, and Kurdish Iraq. Whether writing about literature, religion, or foreign policy, Hitchens is not easily categorized as a predictable member of the Left or the Right, so his collection should appeal to all those who call themselves political junkies. Recommended for all public and academic libraries with journalism collections.-Katherine E. Merrill, SUNY at Geneseo Lib.

Copyright 2005 Library Journal, LLC Used with permission.

January 1, 2005
Agree or disagree with polemicist Hitchens, there is no denying the clarity of his thinking, the depth of his reading, the thoroughness of his inquiries, the independence of his opinions, and the brio of his superbly fashioned prose. An expat Brit who has written for the " Nation" and " Vanity Fair" and authored a number of stinging books, Hitchens cannot abide fuzzy logic, cant, hypocrisy, or lies and has enraged the Right and the Left with his vehement criticism of religion and his thrashing of Michael Moore and Bill Clinton. Hitchens writes astutely about post-9/11 patriotism and war and about why history is no longer taught in American schools. But this daring political analyst is also passionate about literature and offers discerning interpretations of Proust, Huxley, and Bellow. And he even shares glimpses of his less toxic self, reading Kipling to Borges in Buenos Aires, and driving across southern Illinois in a red Corvette looking for sites commemorating Abraham Lincoln. Hitchens' compassion is as sure as his ire is hot, making for a bracing and provocative collection.(Reprinted with permission of Booklist, copyright 2005, American Library Association.)