Love and Summer

Jim Norton captures the ache and longing that permeate William Trevor's marvelous new novel. Admittedly, he narrates a tad slowly, but that's all right, as nothing in the story moves fast. Don't let that deter you though. Trevor has written a timeless tale of love found, lost, and perhaps found again. Set in rural Ireland among farmers of few words and watchful shopkeepers, the story is sharp, sweet, and painfully perceptive. Norton uses just enough vocal variations for us to keep the characters straight and narrates in an accent subtly influenced by the Emerald Isle. His tone, at once gentle and solemn, would suit the recitation of a myth, which of course, this is. A.C.S. (c) AudioFile 2010, Portland, Maine

Starred review from July 6, 2009
The tragic consequences of a woman’s lost honor and a family’s shame haunt several generations in Trevor’s masterful 14th novel. His prose precisely nuanced and restrained, Trevor depicts a society beginning to loosen itself from the Church’s implacable condemnation of sexual immorality. Years ago, Miss Connulty’s dragon of a mother forced her into lifelong atonement after she was abandoned by her lover. Now, in the mid-1950s, middle-aged and forever marked for spinsterhood in her small Irish town, she is intent on protecting Ellie Dillahan, the naïve young wife of an older farmer. A foundling raised by nuns, Ellie was sent to housekeep for the widowed farmer, and she is content until her dormant emotions are awakened by a charming but feckless bachelor, Florian Kilderry, who has plans to soon leave Ireland. Their affair is bittersweet, evoking Florian’s regretful knowledge that he will cause heartbreak and Ellie’s shy but urgent passion and culminating in a surprising resolution. Trevor renders the fictional town of Rathmoye with the precise detail of a photograph, while his portrait of its inhabitants is more subtle and painterly, suggesting their interwoven secrets, respectful traditions and stoic courtesy.