The Mapmaker's War

December 10, 2012
Domingue (The Mercy of Thin Air) spices up a threadbare fantasy plot with well-timed twists and a unique second-person narrator. In an ancient unnamed kingdom, Aoife is a young female mapmaker in favor with the king and his son, Wyl. Tasked with charting unknown lands, Aoife discovers a kingdom of peace and prosperity—and rumors of great treasure. Wyl is commissioned to bring back proof of the dragon who supposedly guards the treasure. Unbeknownst to Wyl, Aoife follows. Together they find the treasure and consummate their love. Aoife returns pregnant and betrothed to Wyl, but news of the treasure overshadows their scandalous engagement. When Wyl is later crowned king, his greedy brother brings the two kingdoms to the brink of war. Aoife attempts to warn the other kingdom, but is found out and exiled without her daughter. With no alternative, she goes to live with the Guardians. Tormented by the thought she’s to blame for everything, Aoife attempts to start anew, searching for peace and her place in the world. Although the second-person voice takes some time getting used to, this is a fun read for fantasy lovers. Agent: Jillian Manus, Manus & Associates.

April 15, 2013

A headstrong, heart-strong young woman takes a long, convoluted hero's journey in Domingue's second novel (after The Mercy of Thin Air). As a girl living in a faraway realm, Aoife knows two things: that she has a talent for making maps and that she is an adventurer who will not allow her life to be constrained by the bonds of marriage and family. Her close relationship with the king's son, Prince Wyl, allows her the freedom she desires, yet she ventures too far and jeopardizes the lives of others along the way. Aoife claims to love those around her, but their welfare seems to mean little to her. Is her quest meant to carry out some critical historical purpose, or is it simply an exercise in self-interest? VERDICT This mythic allegory functions as Aoife's autobiography as told to herself (it is addressed in the second person throughout)--perhaps from beyond the grave. Just as Aoife takes her ideas of freedom to the edge, Domingue takes risks with an unusual narrative style and a main character who is somewhat difficult to embrace. Avid readers of heroic fantasy may be the primary audience here. [See Prepub Alert, 10/1/12.]--Susanne Wells, Indianapolis, IN

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