Smile

May 1, 2017

In Booker Prize winner Doyle's latest, a novel about the vagaries of memory, Victor Forde is enjoying a pint at his favorite pub when a loudmouth in a pink shirt reminds him that they went to school together. Victor is thus forced to recall many painful things--not just his now-famous wife and a terrible gaffe he committed on live radio but his five years with the Christian Brothers and one Brother in particular who affected him deeply.

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Starred review from August 28, 2017
The latest novel from the Booker Prize–winning author of Paddy Clark Ha Ha Ha explores the intricate psychology and history of a failed Irish writer who has recently separated from his famous wife. Having rented a cheap apartment in the unnamed Irish hometown he’d left behind, Victor Forde passes his bleary nights at Donnelly’s, a nondescript local pub where he soon runs into a forgotten, ornery schoolmate, Fitzpatrick. From there, the book’s structure takes some twists and turns as Fitzpatrick forces Victor through difficult recollections of his Christian Brothers school years, his poignant courtship of his celebrity chef wife, and the controversial pro-choice radio interviews that made him infamous. A revelation brings the relationship between Victor and Fitzpatrick to a violent conclusion, leading to an ambiguous twist ending sure to spark debate in readers. Doyle skillfully depicts the triumphs and tragedies of the everyday, how the aging process humbles and ennobles, and how a single hasty decision made in one’s youth can define and destroy a mind and thus a life.

Starred review from August 15, 2017
A return to form for the Dublin novelist, who illuminates the troubled psyche of a writer who can't quite bring himself to write.After hitting his peak renown a couple of decades ago (Paddy Clarke Ha Ha Ha won the Booker Prize in 1993), Doyle has sometimes seemed to be drifting on autopilot. Not here, where the first-person narrative is fresh and bracing from Page 1. Victor has come to a pub looking for a place to become a regular after his recent split from his wife, a TV celebrity with a weekly show. In the pub, he encounters a man who says he remembers him from school and seems to know more about him than anyone besides Victor himself should. As Victor returns to his single-man's flat, and to the writing that haunts him because he can never accomplish much, he muses on the life that has brought him here. He remembers the Christian Brothers, his teachers, one of whom molested him at least once. He remembers his days as a rock critic and then his move into political journalism, which resulted in his chance meeting with the beautiful, irresistible Rachel. She would become Ireland's television sweetheart, beloved by all, but for some reason she loved only Victor. The reader can't figure out why. Victor can't figure out why. The friends he makes in the pub can't figure out why. "What did she see in you?" one asks. Their split is also something of a mystery. Meanwhile, Victor keeps running into that same guy in the pub, the stranger who has now become his best friend. "He'd know--he knew--more than I'd want known," Victor fears, more than he'd want to tell the others in the pub or even the reader. The writing that obsesses him is "about the rot that is at the heart of Ireland," that is within Victor himself, a corrosion that began in his school days. It isn't until the final pages that the reader understands just what Doyle has done, and it might take a rereading to appreciate just how well he has done it. The understatement of the narrative makes the climax all the more devastating.

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