The Boy I Loved Before

February 21, 2005
The joys of being 16 are amply explored in this back-to-the-present comedy of second chances. At the start of Colgan's funny, fast-moving fifth novel, 32-year-old London accountant Flora Scurrison realizes that she can't bear the monotony of her job and her dependable boyfriend, Oliver. So when she sees her high school love, Clelland, for the first time in 16 years at her best friend Tashy's wedding, she can't help wondering what her life would be like with this globe-trotting hunk rather than with steady, unexciting Oliver. As Tashy cuts the wedding cake, Flora wishes herself 16 again and gets a chance to make new choices about love, career and risk. She can keep her father from cheating on her mother and be the coolest kid in high school—not to mention ogle her svelte self in the mirrors at Top Shop. Strangely enough, though Flora is 16 again, only her parents have been transformed with her, and it's still the year 2003. Flora's interactions with a new Britney Spears generation of teenagers as well as with the grown-up friends who recognize her in her adolescent incarnation give the familiar plot a fresh twist. Cleverly constructed and often hilarious, this is an enjoyable addition to the annals of body-switching. Agent, Deborah Schneider at Gelfman Schneider.

February 15, 2005
Thirty-two-year-old Flora Scurrison has a good job and a boyfriend, but somehow her life feels off track. As she attends the wedding of her best friend, Tashy, Flora realizes that she hates her job as an accountant and that this--the white dress, the vows, the cake--are not what she wants with her boyfriend, Olly. As Tashy and her new husband cut into the wedding cake, Flora thinks back to the dreams they had as teenagers and wishes she could do it all over again. The next morning, Flora wakes up with a literal second chance: she is 16 again, and it is one month before Tashy's wedding. Flora has one month to decide if she should remain a teenager or go back to her old life. The time-travel plot seems gimmicky at first--and a bit stale, given the latest remake of " Freaky Friday--"but Colgan rises to the challenge, emphasizing the choice rather than the switch itself. The result is a tender and affecting story about growing up, love, disappointment, and regret.(Reprinted with permission of Booklist, copyright 2005, American Library Association.)