The Lies We Told

August 20, 2018
This creepy stalker thriller about secrets coming home to roost from Way (Watching Edie) highlights a queasy theme for the baby boomer set: how little control parents have over their children. A split narrative format gives a powerful sense of unfolding mystery and encroaching danger as the action alternates between past and present. In 2017, Clara Haynes’s search for her boyfriend, Luke Lawson, suddenly gone from their London flat, brings her more deeply into the complex, dysfunctional dynamics of his family, especially their reticence to discuss the disappearance of his older sister, Emily, when he was a child. In flashbacks to the mid-1980s, Beth Jennings describes her increasing desperation in managing her sociopathic daughter, Hannah. Lackadaisical police involvement, both in Luke’s missing person case and in their lack of oversight of Hannah, diminishes the scenario’s plausibility. Despite the novel’s structural flaws, Way delivers palpable tension and engages the reader though the end. Agent: Emma Parry, Janklow & Nesbit.

Narrators Sally Scott and Patience Tomlinson collaborate to deliver Camilla Way's second psychological thriller centered around the consequences of lying and its disturbing connections. Clara and Luke are in a perfectly happy relationship until Luke goes missing. After police seem to be at a standstill, Clara starts doing some investigating of her own and discovers secrets were being kept. Meanwhile, in the past, Beth was dealing with the bizarre behavior of her daughter, Hannah. Both narrators add atmosphere and intensity, applying emphasis at the intermingling of each character. They unveil key moments seamlessly. Clara's breathy tone increases the emotion and magnitude of every exposed lie and twist, while each shocking revelation heightens the listener's curiosity. D.Z. � AudioFile 2018, Portland, Maine