Chasing the Nightbird

Chasing the Nightbird
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2016

Lexile Score

680

Reading Level

3

ATOS

4.6

Interest Level

4-8(MG)

نویسنده

Krista Russell

شابک

9781561458691
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
برای مطالعه توضیحات وارد حساب کاربری خود شوید

نقد و بررسی

Publisher's Weekly

August 8, 2011
Russell’s first novel takes place in 1851, a turbulent and significant year in the diverse port town of New Bedford, Mass. Fourteen-year-old Lucky is a Cape Verdean raised on his father’s whaling ship, Nightbird, until his father dies and his estranged “lowdown, barnacle-scrapin’ scalawag” of an older brother, Fernando Fortuna, “shanghais” him. Fernando forces Lucky to work at the dangerous textile mill to settle their father’s debt with him, leaving Lucky crestfallen, his dream of being the best rigger on the eastern seaboard suffocated a little more each day. When Lucky meets Daniel, a fugitive slave, and Emmeline Rowland, a Quaker captain’s daughter who offers him a place on her uncle’s ship, Lucky is pulled unwillingly into the abolitionist movement and forced to look beyond himself. Without slowing the story’s pace, Russell gives readers plenty to think about regarding the turbulent racial dynamics of the period—Lucky, who is dark-skinned yet free, initially sees little connection between his life and the plight of slaves. Strong-willed and good-hearted, Lucky is an especially vibrant hero in this multifaceted and suspenseful historical adventure. Ages 10–14.



Kirkus

April 15, 2011

Abolitionists square off against slave catchers in this well-crafted debut, complicating the schemes of a stranded young sailor.

Kidnapped off the streets of New Bedford by his harsh half-brother, held until his whaler had departed and then forced to work in a local cotton mill, Lucky Valera, a 14-year-old orphan of Cape Verdean descent, finds his efforts to escape stymied at every turn. His attachments to his coworker and new friend Daniel, a fugitive slave, and Emmeline, activist daughter of a Quaker abolitionist, involve him in plans to protect the large number of fugitives in town from approaching slave catchers. Along with a few references to "darkies" and "dark devils" that evoke the era's negative racial attitudes, Russell folds in enough historical detail to establish a sense of setting. Without burdening the tale with info dumps, she lays out a basic view of the conflict between the recently passed Fugitive Slave Act and the moral stance of those who opposed it. The author also provides ample tests of character for Lucky and Daniel alike as she speeds her tale to a climactic escape and happy resolution after Lucky's half-sib treacherously tries to collect a reward for both lads and is himself briefly seized.

Solid work, featuring a strong-minded protagonist bent on doing the best he can with what he's been given. (afterword, bibliography) (Historical fiction. 11-13)

(COPYRIGHT (2011) KIRKUS REVIEWS/NIELSEN BUSINESS MEDIA, INC. ALL RIGHTS RESERVED.)



School Library Journal

September 1, 2011

Gr 5-8-Lucky Valera, an experienced sailor at 14, is heading to rejoin his ship, the Nightbird, in mid-19th-century New Bedford, MA, when he is kidnapped by his previously unknown and much older brother. Fernando makes himself Lucky's guardian, requires him to work in the local textile mill, and confiscates his possessions and wages. Lucky finds friends in Daniel, a young escaped slave who lives in constant fear of being caught, and Emmeline, a Quaker who defies her stepmother to help both boys. The three friends have many adventures and near escapes in their quest to get Daniel to freedom and Lucky back to sea. The author includes a lot of information about the time and place but the story lacks excitement and suspense. The characters are one-dimensional and underdeveloped. Lucky's maritime background surfaces in his regular use of the expression "hell's bells" and as he sings a sea chantey that goes "Ol' Jolly Salts have sorry faults/Concealed beneath their britches./They bring disease from overseas/Those scurvy sons-of-." Terms used for African Americans, such as "darkie" and "colored," may be historically accurate, but prospective purchasers should be aware that they are included. There are many better titles that deal with the whaling and textile industries in New England.-Nancy P. Reeder, Heathwood Hall Episcopal School, Columbia, SC

Copyright 2011 School Library Journal, LLC Used with permission.




دیدگاه کاربران

دیدگاه خود را بنویسید
|