Watching You Without Me

May 1, 2020
A woman returns to her childhood home to settle her late mother's affairs. A household aide is suspiciously eager to assist. Karen, the narrator of Coady's sixth novel, has returned from Toronto to her childhood home in Nova Scotia after her mother's death. In addition to arranging to sell the house, Karen needs to find a place for her developmentally disabled sister, Kelli, and she feels lucky to have a plan already in place: A decent facility has a room ready, and a home aide, Trevor, has been showing up regularly to take Kelli on walks. Kelli and Trevor seem to have a great rapport, but practically from the start Trevor's demeanor seems manipulative and vaguely threatening: He's overly familiar around the house, making nonregular visits using his key while steering Karen away from sensible decisions regarding Kelli's care. And Kelli herself soon suffers spells of illness that are hard to explain. That Karen is being gaslit is never in doubt; the novel's drama comes from Coady's sensitivity to how Karen, a savvy woman, could be manipulated by a man who isn't especially bright but knows her emotional weak spots. Coady has a talent for inventing creeps: Her novel The Antagonist (2013) features a half-crazed man who feels his life has been exploited by a novelist. Trevor is similarly unstable, and Coady takes a giddy pleasure in stretching out scenes that expose his capacity for menace while cloaking his intentions. And Kelli, inspired by Coady's real-life uncle, is a rich character in her own right: Coady is careful not to make her a mere plot device, inhabiting her hard-to-express thoughts and emotions with an acuity that heightens the drama. Karen and Kelli's unique sisterhood deepens the more Trevor tries to drive a wedge between the two. A thoughtful and intense drama about how insidiously family ties can be exploited.

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May 18, 2020
Canadian author Coady’s unsettling tale of a clingy family caregiver (after the collection Hellgoing) explores a woman’s grief over the death of her mother and her struggle to take care of her intellectually disabled sister. Karen Petrie, a 40-something lawyer, returns to Nova Scotia from Toronto after her mother, Irene, dies from cancer, to settle her older sister, Kelli, into the care facility Irene had chosen for her. At the urging of Kelli’s caregiver, Trevor, who Kelli is always overjoyed to see, Karen hesitates at finalizing Kelli’s move. Trevor possesses his own key to the house and makes unscheduled visits, leading Karen to believe his claims that he was close to their mother, while Karen decides to take care of Kelli until a bed opens in another facility. When social services calls Karen to follow up on an anonymous tip about Kelli’s well-being, Karen leans more on Trevor, ignoring red flags, such as a creeping sense that Trevor had briefly kidnapped Karen and Kelli after a tour of another facility, until his behavior becomes alarming. Karen’s sardonic, retrospective narration highlights how her grief clouded her judgment of Trevor, and Coady impresses with her careful, humane characterization of Kelli. This stands out for its incisive, bleakly humorous look at gullibility and the complexities of guilt. Agent: Christy Fletcher, Fletcher & Company.

June 1, 2020
In her mid-forties and divorced, Karen returns, after 10 years, to her childhood home in Nova Scotia to attend the funeral of her estranged mother, Irene. She's eager to be on her way after she sorts out living arrangements for her older sister, Kelli, born with a developmental disability and whom Irene had cared for her entire life. But when Trevor, a caregiver for Kelli, offers an overwhelmed Karen help, his encouragement persuades her to believe that she can stay on and manage Kelli's care herself. Coady (The Antagonist, 2013) insinuates an ominous undercurrent that spirals to a tense climax when someone reports Karen to Adult Protection. Childlike Kelli's repetitive catch phrases, her whispering and rocking, become a comforting salve amidst the ratcheting action that puts the sisters in danger and leads Karen to a shattering realization about her mother's last years. Emotionally complex, with the twists of a chilling thriller, Coady's novel explores mother-daughter and male-female relationships, what it means to be a family, the rewards of selflessness versus selfishness, and the human need not to be alone.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

February 1, 2020

Following the LJ-starred Our House, which was Candlish's U.S. debut, The Other Couple features middle-aged Clare and Jamie and the young couple they befriend, the upwardly aspiring Melia and Kit, until one day Kit vanishes after being seen arguing with Jamie on their regular ferryboat commute. Giller Prize winner Coady's Watching You Without Me opens with Karen back home in Novia Scotia after her mother's unexpected death, tending to her sister full-time and depending on her mother's old caregiver, Trevor, of whom she becomes increasingly suspicious. In JP Delaney's Playing Nice, the Riley and Lambert families are devastated to learn that their two-year-olds were switched at birth--and it gets worse. A prize finalist in Australia, Downes brings us disappointed thespian Emily Proudman, who thinks she's found The Safe Place she needs when she agrees to become housekeeper/nanny at the French estate of the Dennys--but her employers' dark secrets will out. In debuter Glass's Someone's Listening, scandal-ridden psychologist and radio star Faith Finley attends the launch of her new book with her husband, but when her car crashes afterward, the police claim he was not with her (70,000-copy first printing). In Hamilton's The Last Wife, Marie promises to watch over terminally ill friend Nina's family, but after Nina's death she starts uncovering uncomfortable intimations about what happened on a long-ago vacation they took in Ibiza that left Marie's boyfriend dead (200,000-copy paperback and 10,000-copy hardcover first printing). Finally, in Harriet Tyce's The Lies You Told, anxious mom Sadie Roper, newly single and newly reemployed as a barrister, is thrilled to win the attention of Liza, queen-bee mother at her children's school--but at what cost? From the author of Blood Orange; with a 40,000-copy first printing.

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