Understudy for Death

April 15, 2018
Hard Case reprints a real rarity for fans of Florida noir stylist Willeford (1919-1988; The Shark-Infested Custard, 1993, etc.): a barely-published paperback original from 1961.Why would Marion C. Huneker leave her husband, Jack, a cement and wrought iron contractor, a farewell note and then kill their two children and herself? J.C. Curtis, Lake Springs Morning News reporter Richard Hudson's hard-bitten managing editor, wants the answers Marion's suicide note doesn't give. Hudson, who fancies himself a playwright even though he's been toiling away on draft after draft of his blank-verse play The Understudy for years, isn't much drawn to the story, but he's not given much of a choice, either. So he sets about in a desultory way to figure out why a well-to-do matron of 30 would suddenly take her husband's .22 to her kids and herself. His inquiries run into three roadblocks. First, asking questions of Marion Huneker's friends and neighbors reveals nothing more fraught than a woman with many friends, interests, and plans for the immediate future. Second, Hudson is repeatedly distracted from the case by Marion's friend Gladys Chatham and his own wife, Beryl, both of whom offer Willeford opportunities to describe torrid sex scenes in vintage 1961 prose; Beryl also provides a sad, comical, wholly unexpected subplot. Third, Hudson, who doesn't get around to interviewing Jack Huneker until the next-to-last chapter, just isn't as interested in the reasons for Marion's death as he is in questions about his own relationships and his own writing--and therein lies the key to this self-reflexive little tale.A treasure for Willeford fans, who'll know not to expect a socko ending; a forgettable curio for most everyone else, who may well turn the last page feeling that they're owed a refund.

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May 7, 2018
First released in 1961 under the title Understudy for Love, this reissue from Willeford (1919–1988) commemorates the 30th anniversary of the quirky author’s death. Like most of his paperback originals during this period, it features a male animal on the prowl: one Richard Hudson, a newspaperman in a small Florida city who finds his routine disrupted when a housewife murders her two children and then commits suicide. Assigned to ferret out reasons for the baffling crime, Hudson tracks down her friends, husband, priest, and creative writing teacher, even as he begins to question his own existence. Given the demands of the sleaze market of the day, Hudson naturally falls into bed with his sexy wife every few chapters and has a torrid affair on the side. Willeford fans will find many traces of his usual themes and humor, but this so-called lost novel oddly lacks the violence and psychotic characters that are the trademarks of his best work, such as Miami Blues and The Burnt Orange Heresy.