Dead Man Running

Starred review from June 25, 2018
Why would a scarily intelligent serial killer allow himself to be caught? That’s the enigma at the center of Edgar-winner Hamilton’s brilliant 11th Alex McKnight thriller (after 2013’s Let It Burn). Thanks to a home surveillance system, robotics engineer Martin Livermore, a necrophiliac who’s eluded the law, is spotted abusing a corpse in the Arizona home of a couple vacationing in Europe. It’s unclear whether he murdered the victim before or after he brought her to the house. As Livermore’s m.o. is to return to where he left his victim, FBI agent Roger Halliday leaves the cadaver in place and later arrests Livermore when he goes back to the scene of his crime. The FBI brings in McKnight, a retired Detroit police officer who now works as a bounty hunter in Michigan, after Livermore discloses that he knew about the surveillance system and that he will provide details only to McKnight about another potential victim, who, at least for now, is still alive. McKnight, who has never heard of Livermore, has no idea why the killer requested his involvement. The plot develops in multiple unexpected directions, and its logical convolutions are matched by Hamilton’s deepening portrayal of his fully realized lead. Fans of serial killer fiction won’t want to miss this one. Agent: Shane Salerno, Story Factory.

Nick Sullivan's captivating narration can't redeem the eleventh book in the Alex McKnight series. A necrophiliac serial killer named Martin T. Livermore eludes capture until he targets McKnight and allows the FBI to catch him. After demanding that McKnight investigate his crimes, he ensnares the detective with intimate details and a mounting body count, leading to a showdown that threatens to push McKnight over the edge. Sullivan breathes life into every word and gives characters distinct voices. He smoothly modulates his voice between quietly dramatic dialogue and suspenseful booming narrative. Livermore's creepy timbre starkly contrasts with McKnight's resonant timbre and tone of bravado. However, the plot becomes increasingly unbelievable, resulting in a disappointing story despite Sullivan's deft vocal maneuvering. J.M.M. � AudioFile 2018, Portland, Maine