Sooner or Later Everything Falls Into the Sea

January 1, 2019
In her debut collection, widely lauded author/musician Pinsker zips through road trips, space ships, speculative futures, and parallel presents with stories that are equal parts hard-wired sci-fi theory and hard-traveling rock-and-roll attitude.The 13 short stories that make up this collection range from near novella length--"Our Lady of the Open Road," "Wind Will Rove," and the phenomenal "And Then There Were (N-One)"--to the very brief--"The Sewell Home for the Temporally Displaced," which clocks in at a little under three pages. Their subject matter is equally diverse. In "A Stretch of Highway Two Lanes Wide," the main character's mangled arm has been replaced with a "Brain-Computer Interface" prosthetic which believes itself to be a road somewhere in Colorado; in "The Low Hum of Her," a family undertakes an Ellis Island-esque immigration accompanied by an AI mechanical replicate of their departed Bubbe hidden in the steamer trunk. With stories that jump from divergent pasts to possible futures and include main characters of all age ranges, genders, and social backgrounds, it would be easy for the book to become disjointed. However, Pinsker's undeniable talent for familiarizing characters caught in deeply unfamiliar situations (a treehouse that hides an alien race's architectural salvation; an 18th-century seaport town beset by sirens; folk musicians on a generational star ship whose destination they will not live to see) brings a uniting element of empathy to even the most far-fetched conceit. There are also similarities between the thematic preoccupations of the individual works. Pinsker's characters are often loners dedicated to idiosyncratic artistic pursuits--like fiddling in space or building scale models of murder houses. They are stubborn adherents to codes of authenticity that their worlds have abandoned, and the stories' plots tend to center around their revolts against conventional (or fantastical) social norms. Populated by anarchists, punks, survivalists, luddites, drifters, and rock-and-roll queers, Pinsker's stories romp through their conceits with such winning charm that even the less successfully cohesive among them delight with their nuanced detail. In spite of being hampered slightly by a tendency to invest more in the worldbuilding than in the culmination of plot, Pinsker has delivered a sturdy collection in the speculative tradition of Ursula K. Le Guin or Kelly Link but with her own indomitable voice front and center.An auspicious start to what promises to be one wild ride of a literary career.

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Starred review from February 15, 2019
Pinsker's stories have murder houses that speak, dream children that emerge from the sea, and a car shaped like a narwal, but the heart of this debut collection lies in its people. The women protagonists, many of whom love women, are adapting to or resisting new ways of life: a punk musician insists on playing live and driving manually while her world depends on recorded immersive experiences and self-driving cars; a girl adjusts to a robotic grandmother as she and her father leave their home country; in Wind Will Rove, a community that left Earth long ago asks why it still holds on so tightly to Earth's history and art and whether it should let go of it entirely in order to embrace the new. A particular highlight is In Joy, Knowing the Abyss Behind, a story primarily about Millie's impeding loss of her husband, where the sf gem at its core takes a backseat to the tree house George built with his children and to the question of whether he did his best to make the world a better place. This collection from an exciting new voice in speculative fiction is both haunting and hopeful.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)