Ghost Boy

Lawrence moves away from suspenseful sea stories to write about an unusual protagonist in this coming-of-age story. Harold is an albino who lives in a dusty town in Canada shortly after WWII. When the circus rolls in, Harold joins the gang of "freaks" in search of adventure, friendship, and acceptance. George Guidall's rough, weathered voice is excellent for every strange character Harold meets on his journey, except for Harold himself. The young man is na•ve in the ways of the world, and Guidall's mature voice cannot capture that, though he does lend a bittersweet tenderness to the lonely boy. While the theme of coming to terms with being different is common, albino characters are not. It's unfortunate that Recorded Books did not add Lawrence's interesting endnotes about his research of albinism, which may have furthered the listener's understanding of this rare genetic disorder. M.M.O. (c) AudioFile 2002, Portland, Maine

October 2, 2000
Lawrence seamlessly shifts from the open sea (The Wreckers; The Smugglers) to landlubber territory with this tale of an albino boy who runs off to join the circus. Although the novel's premise may be familiar, there is nothing conventional about the author's portrayal of this taunted hero growing up in a post-WWII America. In lyrical prose, the narrative probes the isolation and alienation of 14-year-old Harold, better known as "Ghost Boy." As the novel opens, Harold awaits a train that does not stop (two years after the war, he still hopes his brother will be on it), when the Old Indian from Hunter and Green's Circus approaches him, posing as an exotic lure. With his father and brother both claimed by the war, his mother remarried to a banker, and the townspeople tormenting him because of his looks ("From the soles of his feet to the top of his head, his skin was like rich white chocolate, without a freckle anywhere"), Harold dreams of heading west. The circus provides his ticket out. Depicting the circus as a microcosm of society, Lawrence effectively conveys the universal desire for acceptance and approval. His knowledge of the big top and insight into humanity add depth to his writing as do vibrant images of circus life and razor-sharp characterizations (e.g., the tiny Princess Minikin, fur-covered Samuel the "Fossil Man" and the compassionate Gypsy Magda, a Holocaust survivor). This poignant adventure invites readers to look beyond others' outer appearances and into their souls. Ages 12-up.