Mothers and Sons

Whether short stories are usually your "cuppa" or not, this outstanding collection will be deeply satisfying if you love literary fiction. Gerard Doyle does the best and apparently hardest thing for a narrator: He makes himself invisible so that the stories come alive for the listener, seemingly without an intermediary between the ear and the author. A mother whose son, a priest, is about to be tried for sexual abuse is disappointed and angry, but not for the reasons you'd guess. A young man is bewildered to realize that his mother is a hopeless drunk. How could he not have known? And yet, you believe he didn't. Doyle brings them alive with gravity and respect, exciting wonder at the emotional complexity of ordinary lives. B.G. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine

October 16, 2006
Nine stories from the author of The Master
, The Blackwater Lightship
and three other novels explore what happens when mothers and sons confront one another as adults. The sons include a middle-aged petty criminal, a young alienated pub musician and a regular guy whose drug-fueled mourning takes him into new sexual territory. The mothers include a widow who married above her class, a woman whose son's depression hangs over her and her husband's lives and a woman whose son is a priest being charged with abuse. In "The Name of the Game," the widowed Nancy Sheridan finds herself saddled with three children and a debt-ridden supermarket. In "Famous Blue Raincoat," former–folk-rock sensation-turned-smalltime-photographer Lisa is distressed by her son Luke's interest in her band, but refuses to tread on his curiousity, which forces her to reconfront the band's painful end. Longing, frustrated expectations and an offhandedly gorgeous Ireland run steadily throughout—except in the concluding, near-novella-length "A Long Winter," set in a Spanish village, and featuring Miguel, his younger brother, Jordi, and their mother, whose drinking may not be the only secret Miguel discovers during preparations for Jordi's departure for his military service. Wistful, touching and complex, these stories form a panoramic portrait of loss.

December 31, 2007
Though not a grand storyteller or a consummate imitator of various voices and cadences, Gerard Doyle's introspective and masterful reading of most of Toibín's short stories is nearly perfect. Doyle's assured voice fits Toibín's characters, who think more than they act, fail to communicate with those closest to them and prefer their own company to that of others. There is little dialogue since people feel they can confide in no one, even their own mother or son. Doyle phrases the stories carefully in order to highlight the rich nuances and stark lighting and scenery. The stories end abruptly, with the characters on the verge of, rather than at the end of, some transformative experience. Therefore, the extra long pauses between stories are welcome. Unfortunately, Doyle loses some of his power in the last story, "A Long Winter," which is set in Spain, but in which, oddly, Doyle affects a Slavic accent. Nevertheless, Toibín's consummate writing skills are not to be missed by lovers of serious literature. Simultaneous release with Scribner hardcover (Reviews, Oct. 16).