The Night Watch

A bravura performance bolsters the saga of four Londoners whose lives and loves intersect before, during, and after the Blitz. Kay, an ambulance driver, and Julia and Helen are a lesbian triangle. Viv finds herself pregnant by her married boyfriend, and Duncan, Viv's brother, waits out the war in prison. Juanita McMahon's voice is perfect for the sensuality in the story; she caresses words and glides over phrases, then turns nasal and crass for the prison scenes. Men's voices and various accents are no problem for her. A big problem, however, is the reverse chronology of the story, which may require the listener to relisten to the first few tapes. J.B.G. (c) AudioFile 2006, Portland, Maine

June 5, 2006
Waters begins Night Watch
at the end of her tale in 1947 and works her way backwards to 1941. Since she ensures that characters don't spoil the freshness of earlier events by leaking important information, the first part includes a series of conversations that coyly allude to the characters' pasts and make the narrative slightly difficult to comprehend. The feat of entering this tale aurally is compounded by having to follow three separate narrative lines, which Waters later connects with clever Dickensian precision. Juanita McMahon performs the work persuasively. What she lacks in vocal range, she makes up by endowing characters with accents and speech patterns to reflect distinctions of social class. She gives the character Kay's voice such deep Dietrich-like sexual innuendo that one wonders why her lovers abandon her. Recorded Books politely reminds listeners which disk they have started and repeats the last sentence of the previous. Both are welcome features. Despite the initial challenge, Night Watch
is a skillfully written historical account of love of all persuasions trying to survive the dark prospects of London during the blitz. Simultaneous release with the Riverhead hardcover (Reviews, Dec. 12).

Starred review from December 12, 2005
Waters (Fingersmith
) applies her talent for literary suspense to WWII-era London in her latest historical. She populates the novel with ordinary people overlooked by history books and sets their individual passions against the chaotic background of extraordinary times. There are Kay, a "night watch" ambulance driver; her lover, Helen; two imprisoned conscientious objectors, upper-class Fraser and working-class Duncan; Duncan's sister, Viv; Viv's married soldier-lover, Reggie; and Julia, a building inspector–cum–mystery novelist. The novel works backward in time, beginning in 1947, as London emerges from the rubble of war, then to 1944, a time of nightly air raids, and finally to 1941, when the war's end was not in sight. Through all the turmoil on the world stage, the characters steal moments of love, fragments of calm and put their lives on the line for great sex and small kindnesses. Waters's sharply drawn page-turner doesn't quite equal the work of literary greats who've already mapped out WWII-era London. But she matches any of them with her scene of two women on the verge of an affair during a nighttime bombing raid, lost in blackout London with only the light of their passion as a guide.