The Master and Margarita

August 31, 2009
Bulgakov's satire of the greed and corruption of Soviet authorities illustrates the redemptive nature of art and faith, and Julian Rhind-Tutt's superb interpretation does the classic full justice. With a dramatic flair and a deep, multilayered voice, he pulls off a host of fantastical characters including Professor Woland (Satan) and several of his associates, Pontius Pilate and Jesus Christ, witches and madmen and a variety of early 20th-century Moscow literary and theater types. Two minor caveats: a few characterizations are too nasal, and his cockney accents for low-class Russian characters are a bit disconcerting.

How this posthumously published satire got written in Stalinist Russia and survived is as fascinating a story as the one it tells. Upon finally being printed, it became an international sensation that literati still acclaim as a modern classic. This complex, multilayered, and Rabelaisian novel is impossible to summarize. Suffice it to say that when Satan incognito brings a hellish gang to the officially atheist USSR, mayhem ensues, in the course of which the author verbally skewers the Soviet literary, social, and political establishments. Incongruously for the American ear, Julian Rhind-Tutt gives a decidedly Cockney spin to his narration. But he also gives it mischief, invention, and unflagging energy. Thus, he makes even the more obscure passages enjoyable listening. A fine reading of an important book. Y.R. Winner of AudioFile Earphones Award (c) AudioFile 2009, Portland, Maine