The Last Tortilla

June 28, 1999
"Okay, so I wasn't going to be a great poet or a legendary writer. I wouldn't lead revolutions, and I wouldn't compose extraordinary music. I was only a guy who had just found the world as it was, after throwing out thousands of years of dreams and nightmares to secure my fragile existence," confides the narrator in the final story of this earthy collection. He could speak for all the characters in these 12 stories of Mexican-American life just north of the border. Typical themes of love, death, coming-of-age and family life drive the narratives, but the El Paso setting lends them cultural depth. In "Punching Chickens," a teenage boy's first job is unloading chickens from trucks. At the end of the day he is bloodied and fatigued, but he is rewarded with the respect and camaraderie of his fellow workers, and the conviction that he will not quit or complain. A series of tales about older men and women explores their vulnerability, loneliness and faith in God as they near death, while other stories concentrate on young adults caught in the cultural gap between their Mexican heritage and American lives. The title story brings these themes together as a lonely widower remarries a woman his children despise. The grown children hold on to Mexican traditions as much as possible, but speak a mix of English and Spanish, while the youngest, 11-year-old Juanito, is confused by the actions of adults, including his stepmother's rationing of tortillas. The prose may be plain and unadorned, but these stories are richly satisfying.

July 1, 1999
A college student home on summer break tastes love for the first time with an older woman. An old widow invites her equally aged gardener to share her home. Family members struggle through Christmas in the wake of the death of their mother and the remarriage of their father. A boy is nearly attacked by a rattlesnake, only to be rescued by a gruff but friendly INS officer. In his first collection of stories, Troncoso proves to be a challenging but resonant new voice. Setting his tales mostly in El Paso and Juarez, he weaves remarkable fiction from unremarkable lives, homing in on the small braveries that hide in the creases of day-to-day life. Although the longest story is only 40 pages, each one is an organic whole, full of characters who have lives as complete as the readers'. Troncoso eschews cheap sentimentality, relying instead on the straightforward narrative strength of his realistic stories to make his points. Enthusiastically recommended. ((Reviewed July 1999))(Reprinted with permission of Booklist, copyright 1999, American Library Association.)