A Beach Tail

January 11, 2010
At the beach with his father, Greg strays from his beach umbrella, but stays calm and remembers the two things Dad told him: “Don’t go in the water, and don’t leave Sandy.” Sandy is a lion Greg has drawn in the sand, and because Greg hasn’t lifted the stick with which he has drawn Sandy’s long, long tail (circling, as he goes, a jellyfish, a horseshoe crab, and other beachside marvels), he’s able to retrace his steps to find his father, who’s delighted to see him. Cooper (The Blacker the Berry
) draws a startlingly real Greg in a series of tight closeups; readers will feel they can reach out and touch him. Grainy pastel and washed-out color evoke the seashore’s bleached palette, while Greg’s reverent attention to the treasures he finds is the focus of every page. The representation of an African-American father and child in a nonurban setting is welcome, while Williams’s (Four Feet, Two Sandals
) even pacing and soothing text reassure children without losing momentum. Most valuable, though, is Williams’s belief in Greg and his resourcefulness; quiet satisfaction pervades his story. Ages 3–7.

On an outing to the beach with his dad, Greg uses a stick to draw a lion in the sand. When Dad observes that the lion needs a tail, a creative journey begins. Accompanied by sound effects of the beach, Greg, with his stick dragging in the sand, wanders down the beach. Dion Graham's narration depicts his exploratory walk along the waterline. With each whooshing sound of the waves, Graham invites listeners to anticipate the next discovery--a horseshoe crab, a gooey jellyfish, and a sand castle. Graham's calmness prevails as Greg travels far down the beach and has to use his wits and his wave-swept line to return to Dad. A.R. (c) AudioFile 2011, Portland, Maine