The Great Unexpected

July 16, 2012
In a story that is part folktale, part mystery, and part comedy, Newbery Medalist Creech (Walk Two Moons) traces a series of strange events, beginning with a boy’s fall from a tree, which is witnessed by an orphan named Naomi and her friend Lizzie. The boy, Finn, might be part of the Dimmens clan, who live up on Black Dog Night Hill, or his appearance might be more ethereal in nature. In alternating chapters, readers are whisked between two evocative locations: Naomi’s town of Blackbird Tree and an impressive Irish estate owned by an ailing mystery novel buff. Neighbors, strangers, and a collection of odd artifacts are all part of a puzzle Naomi tries to solve—and readers will be working just as hard to do so. The fun that drives the book forward derives from Naomi’s plainspoken narration (her barely concealed jealousy over Lizzie’s interactions with Finn is especially well-done), along with uncovering the surprising connections between characters and wondering whether magic is at the root of the baffling occurrences. Ages 8–12. Agent: Amy Berkower, Writers House.

August 1, 2012

Gr 5-7-After an epigraph, prologue, and first chapter that increasingly pull readers in deeper and deeper, The Great Unexpected-part realistic fiction, part mystery, and part ghost story-disappoints. In the small, probably Southern town of Blackbird Tree, orphaned 12-year-old Naomi Deane receives a whack on the head as an inert boy tumbles down from a tree. Joined by her motormouth friend, Lizzie Scatterding, she pronounces the boy "dead," but he soon sits up and starts asking questions in a strange accent-clearly, he's not from around there. Naomi Deane's narration constitutes the bulk of the story, but every third or fourth chapter takes place "Across the Ocean" in a grand Irish estate, where readers follow the antics of elderly companions Mrs. Kavanagh and Miss Pilpenny. Creech gradually reveals the connections between the two story lines; clues appear in appropriately small doses that will appeal to young detectives. But a confusing narrative style makes the book hard to follow. Instead of consistently using a progressive or episodic structure for either plotline, Creech alternates between the two, which places readers in an uncomfortably disorienting position upon beginning each chapter: Does this start where we left off, or have several weeks passed? Overuse of quirky and alliterative names such as "the dapper Dingle Dangle man," the "dim Dimmenses," "Crazy Cora," and "Witch Wiggins" distracts from the story. For better-told small-town adventures and rich language, try Richard Peck's A Long Way from Chicago (Dial, 1998) or Susan Patron's The Higher Power of Lucky (S & S, 2006).-Allison Bruce, The Berkeley Carrol School, Brooklyn, NY

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