Silent to the Bone

What if your best friend were to stop talking one day after a terrible accident? What might you do if your friend were charged with causing his infant sister to slip into a coma? Howard McGillin's measured reading of Connor Kane's first-person narration lends credibility to the events he relates while simultaneously keeping the listener at an emotional distance that the text itself may not require. Connor recounts his journey to untangle the mystery that has stolen his friend's words. Everyday, at the Clarion County Juvenile Behavioral Center, he visits his friend. Gradually, he relates pieces of the mystery he uncovers: the infatuation and semi-sexual encounters with the seductive British au pair, Vivien; the neglect and mistreatment of the baby; the final life-threatening abuse. This is an intelligent, though not powerful, performance. T.B. (c) AudioFile 2001, Portland, Maine

October 2, 2000
The latest from Newbery Medalist Konigsburg--a taut novel with the momentum of a detective story--never catches fire in this ultimately disappointing audio adaptation. When his infant half sister Nikki appears unconscious, 13-year-old Branwell Zamborska rushes to call for help. But when the 911 operator asks him for key information, Branwell cannot speak; he's been struck mute, seemingly by the tragic, frightening situation. The family's British au pair completes the emergency call and accuses Branwell of injuring the baby. While Nikki lies in a coma at the hospital, Branwell is sent to a facility for troubled youths. It's there that Branwell's best friend Connor Kane devises a code for communicating with Branwell and, with help from his older half sister Margaret, begins to untangle the truth about what really happened to Nikki. Konigsburg's crisply drawn tale crackles on the page as narrated by Connor. But McGillin never truly inhabits Connor's skin. He seems to strain for a chipper, youthful intonation in each sentence. And with this forced rhythm, McGill fails to convey the emotional intensity and suspense of the text. Ages 10-up.

Starred review from October 2, 2000
HWith this impeccably crafted novel two-time Newbery Medalist Konigsburg (The View from Saturday) again demonstrates her keen insight into the needs and tastes of a middle-grade audience. Here she ventures into what seemsDfor herDunusually dark territory. The story begins with a transcript of a 911 phone call. The caller himself (shortly afterward identified as 13-year-old Branwell Zamborska) appears silent, then a young British woman (an au pair) takes the phone and says that a six-month baby is unconscious: "He dropped her." As the comatose baby undergoes hospitalization, Branwell is struck mute and brought to a county facility for disturbed youths while prosecutors weigh charges against him. Young readers, unlikely to recall Louise Woodward and the Eappens, will be rapt as Konigsburg slowly unravels the true circumstances of the baby's accident and of Branwell's silence. Connor, Branwell's best friend, narrates and serves as detective, ingeniously finding a way to prise clues out of Branwell and piece them together. He enlists the help of his 20-something half-sister Margaret, one of those brilliant, slightly cryptic and idiosyncratic heroines Konigsburg fashions so well. In her classic style, the author inlays the plot with intriguing facts that prove significant (e.g., a Frenchman paralyzed completely except for his left eye "wrote" a book by having a friend recite the alphabet, then blinking when she came to the letter he needed). Along the way, Konigsburg also investigates the dynamics of step-families, preadolescent sexuality and other knotty subjectsDthe extraordinary achievement here is that she joins every element so seamlessly in the service of her gripping story. Ages 10-14.