A Tale Dark and Grimm

xxpish - REVIEW FOR IN A GLASS GRIMMLY AND A TALE DARK & GRIMM: Hansel and Gretel is not just breadcrumbs and evil witches. There's more to the story than that. Same with Jack and Jill. They didn't just fall down a hill. There were other details; details that were not told in the original short version. Or so Adam Gidwitz tells us. Both pairs of characters long for something different in their lives. These extremely scary and gory tales capture their journeys. Hansel and Gretel long for good parents who wouldn't cut off the heads of their children, and Jack and Jill are ashamed of something, and are looking for a new home and life. In two enthralling tales of adventure and gore, Adam Gidwitz's first two books are sure to make readers fans of the author and leave them begging for more fairy tales. My Thoughts: I really loved these two stories. They were so perfectly written and the author is SO creative! He must have quite an imagination to put all of this together into one story. At the end of In A Glass Grimmly, he says where the stories came from and that is very fascinating. I also have to give him a high-five for the character Eidechse von Feuer, der Menschenfleischfressende, the giant salamander; both the name and the character himself are awesome, as well as the spunky narrator who warns us throughout the story when lots of gore is up ahead. The cover art is amazing, and Hugh D'Andrade did a fantabulous job with the art. This book totally made me want to read more fairy tales and I think Adam Gidwitz deserves a standing ovation for these wonderful retellings and his creative adding on. These books are a must-read for fairy tale lovers, and especially for Grimm fans! I can not wait for the final book, The Grimm Conclusion, coming in October!

Starred review from October 18, 2010
Hansel and Gretel actually had their heads chopped off. Who knew? If that statement sends you scrambling for your favorite search engine, Gidwitz is savoring that reaction. And for readers who shriek with bloodthirsty delight, not skepticism, he has much more in store. Fracturing the folk tales of the Brothers Grimm, Gidwitz brings together old and new traditions of matter-of-fact horror. Hansel and Gretel become recurring characters in reworked versions of the Grimms' lesser-known tales, such as "Faithful Johannes" and "The Seven Ravens" (here, "The Seven Swallows"). The children are seeking a "nice" family after their father, no woodcutter but a king, pulls the aforementioned beheading stunt ("hey believed firmly in their little hearts that parents should not kill their children"). The perfect family proves elusive, and the children must extricate themselves from one outrageous situation after another—including, yes, a hungry old woman in an edible house. The rhythms and rhetoric of the prose are heavily influenced by verbal storytelling, which can on occasion strike a false note, but mostly add the intended wry wink to an audacious debut that's wicked smart and wicked funny. Ages 10–up.

October 15, 2010
Fairy tales for the horror set blend themselves into one intact thread that's satisfying enough to overcome an intrusive narrator. The storyteller's voice (presented in bold type) opens by asserting that original Grimm tales are "awesome," "violent and ... bloody," while "all the versions of the stories you've heard [are]... mind-numbingly boring" due to sanitization. It's an odd premise for a piece whose audience is surely aware of many fractured fairy tales that are dark and/or awesome. The narrator contributes unnecessary platitudes, but on the plus side, savvily warns when little kids should leave the room, effectively cautioning big kids that upcoming content is sad or gory—and it really is. Heads are lopped off, blood flows, men reach down girls' throats and pull out their souls. Old Grimm tales and Gidwitz's original additions weave together into one arc, with fiercely loyal siblings Hansel and Gretel at the heart. The narrator's presence lessens; action and emotion deepen; funny gross-outs pop up amid serious violence; and everything builds to one painful and triumphant catharsis. (Fractured fairy tale. 10-13)

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Starred review from November 1, 2010

Gr 3 Up-With disarming delicacy and unexpected good cheer, Gidwitz reweaves some of the most shocking and bloody stories that the Brothers Grimm collected into a novel that's almost addictively compelling. He gives fair warning that this is no prettified, animated version of the old stories. "Are there any small children in the room now?" he asks midway through the first tale, "If so, it would be best if we just...hurried them off to bed. Because this is where things start to get, well...awesome." Many of humanity's least attractive, primal emotions are on display: greed, jealousy, lust, and cowardice. But, mostly it's the unspeakable betrayal by bad parents and their children's journey to maturation and forgiveness that are at the heart of the book. Anyone who's ever questioned why Hansel and Gretel's father is so readily complicit in their probable deaths and why the brother and sister, nonetheless, return home after their harrowing travails will find satisfying explanations here. Gidwitz is terrifying and funny at the same time. His storytelling is so assured that it's hard to believe this is his debut novel. And his treatment of the Grimms' tales is a whole new thing. It's equally easy to imagine parents keeping their kids up late so they can read just one more chapter aloud, kids finishing it off under the covers with a flashlight, and parents sneaking into their kids' rooms to grab it off the nightstand and finish it themselves.-Miriam Lang Budin, Chappaqua Public Library, NY

Copyright 2010 School Library Journal, LLC Used with permission.

November 15, 2010
Grades 4-7 As if Hansel and Gretel didnt already have it tough in their original fairy tale, Gidwitz retrofits a handful of other obscure Grimm stories and casts the siblings as heroes. Connecting the dots, he crafts a narrative that has the twins beheaded (and reheaded, thankfully), dismembered, hunted, killed, brought back to life, sent to hell, and a number of other terrible fates en route to their happily ever after. Some adults will blanch at the way Gidwitz merrily embraces the gruesomeness prevalent in the original tales, but kids wont mind a bit, and theyll get some laughs out of the way he intrudes on the narrative (This is when things start to get, well . . . awesome. But in a horrible, bloody kind of way). The author also snarkily comments on the themes, sometimes a bit too heavy-handedly. The question many readers might have about the Grimms tales is perfectly pondered by the long-suffering twins: Are there no good grown-ups anymore? Not in these forests, kiddos.(Reprinted with permission of Booklist, copyright 2010, American Library Association.)