The Castle Behind Thorns

Starred review from March 17, 2014
While trapped in a cursed castle surrounded by thorns, 13-year-old Sand, a commoner who would rather apprentice as a blacksmith than fulfill his father’s aspirations by attending university, unintentionally resurrects Perrotte, a young noblewoman who once lived in the castle, which has been torn apart: “Nothing was whole here, nothing at all. Not a spoon, not a toothpick, not a bed, not a door.” In this ambitious historical fantasy set in medieval Brittany, Sand and Perrotte form an intense, prickly friendship as they fix what they can of the shattered castle and learn that “some things are not meant to be mended.” Haskell (Handbook for Dragon Slayers) seamlessly integrates the legends of Breton saints into her story, making the magical miraculous and grounding it in the location and era. Her characters’ passions for blacksmithing and astronomy, the details of which she accessibly describes, further anchor this fantasy in reality. Exploring a range of weighty subjects, from the horror of war to the difficulty of forgiveness, Haskell makes every subplot and character count, reinforcing the story’s elaborate metaphorical and thematic structure. Ages 8–12. Agent: Caitlin Blasdell, Liza Dawson Associates.

Starred review from June 1, 2014

Gr 4-8-Sand awakens inside a large fireplace, in a room where "every single thing" is broken and quickly realizes that he is in the Sundered Castle, a landmark that he has seen his whole life. Everyone in Sand's village knows that the castle, which is surrounded by an impenetrable thorn barrier, was damaged in an earthquake and isn't safe. As Sand begins to explore the ruins, he discovers that every object in the castle has been broken, and he begins to use his skills as an apprentice blacksmith to fix what he can. The protagonist is soon joined by Merlin the Falcon and Perrotte, the lost heir to the castle, who seems to have returned from death. Sand and Perrotte work together to repair the damage and gather the food and supplies they need to survive. They soon discover that their improvements seem to make the thorns that surround the castle disappear. Perrotte and Sand also come to understand their own and their families' pasts as they work toward forgiveness, facing their inner and outer conflicts. The developing relationship between the two main characters is portrayed realistically; it's often as prickly as the thorns that surround them. They both come of age as they accept themselves and those around them. Fans of Gail Carson Levine's and Shannon Hale's fairy tale adaptations will enjoy the adventure and mystery here.-Beth L. Meister, Milwaukee Jewish Day School, WI

Copyright 2014 School Library Journal, LLC Used with permission.

March 15, 2014
Faint echoes of "Sleeping Beauty" and "Snow White" waft up from this new fantasy. Sand (short for Alexandre) wakes in the ashes of a fireplace, in a castle in which every room and object has been broken: the Sundered Castle. He doesn't know how he got there, but a vicious, active wall of thorns keeps him within. Son of a blacksmith, he goes about attempting to mend whatever he can, and when he finds the body of a girl, he rearranges her limbs carefully--and she awakens. Perrotte has been dead--or asleep--for over 25 years. Like Sand, she is about 13; unlike him, she is of noble birth. The first half of the tale is about mending everything in the castle, Perrotte and Sand working together through the forging and firing and hammering. The second half, however, gets rather muddled. Perrotte withholds her complicated and violent political history from Sand, as well as the news that a knight will be coming through the thorn barrier to plunge her back into it. It's possible that two saints whose broken relics Sand mends hold the key to the future. These elements do not hang together as well as the beautifully sustained central metaphor of blacksmithing. Moreover, Sand and Perrotte seem much older than 13, and the ending preaches loudly. Still, it stands alone neatly, and the lore of blacksmith work is carried through with vivid energy. (Fantasy. 9-12)

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