Cardboard

May 14, 2012
This graphic novel tries to be about magic and goodness, but instead gets bogged down with creepy drawings, unfair stereotypes, and obnoxiously flat characters. Mike is unable to afford anything good for son Cam’s birthday, so he buys the boy only a cardboard box. They turn the cardboard into the shape of a man, only to have it come alive. Danger comes from Marcus, a boy readers are repeatedly told is rich, though apparently his parents can’t afford a dentist, and drawings concentrate on his bad teeth as if they’re a character flaw. Marcus wants the magical cardboard properties to himself because, well, he’s bad. Characters are shown, and drawn, as good or bad. The author also has a problem with people driving hybrids or boys having long hair. What could have been a fun fantasy tale often turns preachy, and it belittles people who look different. The story tries to add depth with the trope of a dead mother, but that theme doesn’t rescue it from occasional self-righteousness. Ages 10–14.

Starred review from July 1, 2012
An out-of-the-box story of golems, guys and guts. Though dealing with the recent death of his mother, Cam and his father are trying to make the best of a difficult time. Currently unemployed and virtually penniless, Cam's father buys him the only birthday present he can afford: a cardboard box. From the get-go, it is apparent that this is no ordinary cardboard: It comes with a list of rules, which Cam's father casually dismisses. In an attempt to make the bland box more exciting, his father fashions a cardboard man, a boxer he names Bill, who undergoes a Pinocchiolike transformation and becomes a loyal friend. The animated man catches the interest of menacing Marcus, a well-off, wide-eyed, fish-lipped bully, who steals the cardboard for his own malicious intent. When Marcus' plans go horribly, terribly awry, he discovers that he needs one thing that money can't buy: a friend to help him. TenNapel's story is edge-of-your-seat exciting, but what really drives home this clever outing are the added complexities and thought-provoking questions it asks of its reader, specifically examining what constitutes "good" and "bad," and how to change how one is labeled. The result? An exceptionally seamless blend of action and philosophy, two elements that usually do not mix easily; TenNapel handles this masterfully. Utterly brilliant. (Graphic fantasy. 10 & up)

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Starred review from September 1, 2012

Gr 4-6-Cam's unemployed father can only afford a cardboard box for his son's birthday present. However, this cardboard is special: it animates itself. A cardboard boxer becomes a man called Bill, a magic cardboard machine actually spits out new pieces of magic cardboard, and a figure of Cam's dead mother chastises his father for not moving on. This cardboard powerfully projects the thoughts and desires of its users and becomes dangerous when Cam's wealthy, spoiled neighbor, Marcus, uses it to create an army of monsters. Rich colors printed on glossy pages, along with dramatic cuts between panels, give the comic a cinematic feel, and the illustrations' sharp angles and sinewy lines are striking. This action-filled adventure is not only highly entertaining, but also contains provocative points about the power of imagination. The ending, in which a reformed Marcus has shed his goth stylings and Cam's father has found a job and a girlfriend, is a little too tidy, but this is a thoughtful and gripping read.-Lisa Goldstein, Brooklyn Public Library, NY

Copyright 2012 School Library Journal, LLC Used with permission.

March 15, 2012
Grades 5-8 With Ghostopolis (2010), Bad Island (2011), and the very recent Ratfist (2011) still practically hot out of the oven, TenNapel has hit a prolific stride, turning out stories featuring whacked-out science, organic weirdness, and a hefty emotional heart. Here a jobless father gives his son the only birthday gift he can afford in this crushing economy: a cardboard box. However, the two make a cardboard figure (of a boxer, naturally) and find themselves with a brand-new, living, breathing, cardboard friend. Unfortunately, when the petulant and jealous kid next door sees what's going on and steals some of the cardboard, the entire neighborhood is soon threatened by an invasion of handmade monstrosities. TenNapel's cartoon-gritty linework and off-kilter faces offer strangeness that is by turns endearing and disconcerting. His writing, meanwhile, hits some emotionally facile notes and fails to deliver on a few portentous plot points. But he also provides moments of great sweetness and heaps and heaps of bizarre fun, a quality that has become his veritable trademark.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)