Dancing Through Fields of Color

Dancing Through Fields of Color
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

The Story of Helen Frankenthaler

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2019

Lexile Score

890

Reading Level

3-5

ATOS

4.8

Interest Level

K-3(LG)

نویسنده

Aimée Sicuro

ناشر

ABRAMS

شابک

9781683354697
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

May 6, 2019
As a child, Helen Frankenthaler, an Abstract Expressionist who created the Color Field painting movement, shirked rules in favor of free expression. “Instead of going to bed, Helen filled the sink with water. She dribbled in drops of ruby red nail polish and watched the color flow.” With sweeping strokes, Sicuro conveys the young artist’s joy in the act of creation, her images of seaside landscapes spilling off the canvasses, and waves trailing from the beach she’s painting into her bedroom. Following her father’s death when she was 11, “her canvases remained blank, her world of colors and light...dark,” Frankenthaler attends art school, where she adheres to rigid expectations. But the work of Jackson Pollock reawakens her, liberating her to paint emotively. Back matter provides biographical content, insight into Frankenthaler’s creative process, and an art activity. Ages 4–8.



School Library Journal

March 1, 2019

Gr 2-5-A prominent abstract expressionist whose career spanned six decades but who is not as well known as her male contemporaries today, Helen Frankenthaler loved color and celebrated it through an artistic style that came to be known as "soak-stain painting." In this picture book biography, Frankenthaler's early life and career are recounted in language that is every bit as vibrant as the illustrations that recall her paintings. Students with a creative bent will relish reading about Frankenthaler's difficulty conforming to the expectations of her art teachers and, later, those of the art world at large. Then, the story recalls her childhood vacations to the mountains and seaside to demonstrate the techniques Frankenthaler developed for creating paintings as boundless as those natural phenomena. Sicuro's bold illustrations are a wonderful match for a biography on an abstract artist; the saturated colors, thick lines, and rounded shapes work well with Brown's descriptive text to immerse readers in Frankenthaler's world. Two pages of back matter include a more formalized biography of Frankenthaler and examples of her paintings. VERDICT A pitch-perfect expression of a little-known artist in text and illustration alike, this is a top-notch example of the picture book biography.-Katherine Barr, Cameron Village Regional Library, Raleigh, NC

Copyright 2019 School Library Journal, LLC Used with permission.



Kirkus

February 1, 2019
Abstract expressionist painter Helen Frankenthaler (1928-2011) carries a deep fascination with color and light from childhood to adulthood.In Frankenthaler's wealthy, white Manhattan family, her parents nurture her artistic tendency toward abstraction--but her schools demand realism. A downcast Frankenthaler creeps past eight easels displaying eight identical pear paintings, while across the page, another version of her dances in midair, brushes in both hands, trailing swirls of nonrepresentational orange. In adulthood, she embraces her own path. The narration frames her artistic motivations as primarily emotional, undermining her deliberate aesthetic decisions. Moreover, though the textual descriptions of Frankenthaler's process are gorgeous ("Colors jetéd across the painting, merged and connected, like rivers into oceans"), neither the colorist's groundbreaking "soak-stain" technique--oils thinned with turpentine so they seep like watercolors--nor her level of influence as "one of the major Abstract Expressionists of the twentieth century" are mentioned until the bountiful backmatter. Sicuro's watercolor, ink, and charcoal pencil illustrations are spirited, the ones about art process especially buoyant; her use of watercolor is actually a better match for Frankenthaler's look than oils would have shown without Frankenthaler's own soak-stain technique. However, there's one enormous visual mismatch: Frankenthaler's work features paint that soaks, flows, bleeds, and wetly saturates canvas, while Sicuro uses mostly controlled and neatly identifiable brush strokes.Greatly enthusiastic, but it waters down Frankenthaler's actual work and importance. (timeline, activities, author's notes, quotes and sources, primary and secondary bibliography) (Picture book/biography. 5-9)

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