A governess in jeopardy . . . and the marquis’s son who goes undercover as a housemaid to protect her.
Lord Octavius Pryor leads a carefree and untroubled life, until the night he visits Vauxhall Gardens in the guise of a woman.
At Vauxhall, Octavius discovers that being a female is very different from being a man. Annoyingly different, unpleasantly different, and—when he encounters the lecherous Baron Rumpole—dangerously different.
Determined to teach the baron a lesson, Octavius infiltrates Rumpole’s household, where he meets the woman of his dreams: Miss Toogood, governess to the baron’s daughters.
Suddenly Octavius has three pressing tasks. 1) Teach the baron to keep his yardstick in his breeches. 2) Keep Miss Toogood safe. 3) Convince her to marry him.
A word of caution: This novel is a bodice ripper, and I mean that quite literally. Bodices
are ripped in this book—and not in a playful or sexy way. However, I promise you that all rippers of bodices receive their just desserts.
Length: Full-length novel of 88,000 words
Sensuality level: A Regency romance with mild love scenes
"I laughed, chortled and (once or twice) snorted my way through the many funny parts, I cried and was relieved during the tense parts, and in between I was happy, touched, enchanted, and completely involved from the first word until the last."
~ Amazon reviewer
Q & A with the author
How would you describe this series?
It's Regency England with a dash of magic. I hope to take readers on a journey from the glittering ballrooms of the aristocracy to the dark underbelly of Regency England—with passion, danger, adventure, romance, and a little magic thrown into the mix.
I think the series could also be labelled Regency Noir, because it falls on the darker, grittier side of the romance fence, although each book contains humor, too. The stories are emotional, but not sweet (there’s sex, violence, and my heroes do swear at times!).
Why did you write this series?
I wanted to get my heroines out of the drawing rooms and put them in the way of adventure and romance. But I didn’t want to write a series where magic is common; I wanted to write a series where only a few characters have magic, and it’s a deep, dark secret, and no one else knows.
But … do magic and Regency England go together?
Definitely! Many, many years ago I read
Sorcery and Cecelia (or The Enchanted Chocolate Pot) by Patricia Wrede and Caroline Stevermer, and
totally loved it and ever since then I’ve thought that Regency England and magic go very well together.
How would you describe your writing?
Several reviewers have likened my writing to Georgette Heyer, which is the hugest compliment ever. I adore Georgette Heyer! She’s why I write historical romance, and I reread her books over and over. (If you’ve not read
The Grand Sophy, please do so!) I’ve also had readers compare my writing to Courtney Milan and Mary Balogh.
What order should I read the series in?
Each book can be read as a standalone, but many readers prefer to read them in order. And although the series is set in Regency England, a quartet of medieval novellas form the prequel.
The ideal reading order would be:
The Fey Quartet (series prequel)
Maythorn's Wish
Hazel's Promise
Ivy's Choice
Larkspur's Quest
The Baleful Godmother series
Unmasking Miss Appleby
Resisting Miss Merryweather
Trusting Miss Trentham
Claiming Mister Kemp
Ruining Miss Wrotham
Discovering Miss Dalrymple
The Baleful Godmother: Garland Cousins Series
Primrose and the Dreadful Duke
Violet and the Bow Street Runner (coming soon)
The Baleful Godmother: Pryor Cousins Series
Octavius and the Perfect Governess
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