The Kingdom of Little Wounds

Starred review from September 23, 2013
“I have always loved a fairy tale.” So says Ava Bingen, a young seamstress in the palace of the fictional Scandinavian city of Skyggehaven. Dark and bloody fairy tales inform this dense, 16th-century narrative, richly layered with multiple viewpoints: Ava, the mad Queen Isabel, the dangerously weak King Christian, the diabolically ambitious Lord Nicolas, and the mute, literate African nursery-slave, Midi Sorte. In her first novel for young adults, adult author Cokal (Mirabilis; Breath and Bones) explores the landscape of the female body as it has been for so long: property of parents or husband, subject to the needs of family and state. During a time of deadly court intrigue and disturbing portents—a new star in the sky, a muddy vortex in the earth—Ava, Midi, and Isabel negotiate their individual paths of survival until their fates are woven together, giving them a chance to save the kingdom and each other. Though the novel’s frank and upsetting depictions of rape, child-marriage, miscarriage, and syphilis mark this title for mature readers, its brutality, eloquence, and scope are a breathtaking combination. Ages 16–up.

December 1, 2013

Gr 10 Up-After a plague fell upon the Scandinavian city of Skyggehavn in 1561, Ava and her father were the sole survivors of their family. Eleven years later, Ava, who has been taught to sew, is sent to the royal palace as a seamstress to the queen. Work there is coveted, but it is also beset with danger as there are no limits to the cruelty of the powerful. One prick from a needle into the flesh of agitated Queen Isabel sends Ava to the dungeon until she is retrieved by the villainous Count Nicolas. The count sexually abuses her and then sends her to work in the nursery as his spy, where she meets Midi Sorte. After being kidnapped, chained, sexually brutalized, and brought north by ship, Midi, a "Negresse," was presented as a gift to the court, naked, coated in sugar, and with a sugared plum in her mouth. Desperate to avoid continued mistreatment, the girls claw for survival in a court full of intrigue, disease, and sorrow. Ava and Midi evoke readers' sympathy as believable protagonists in a cast of mad characters. Cokal eloquently presents a grisly and visceral world that she aptly refers to as a "syphilitic fairy tale." There is no glossing over all manner of sexual abuse, miscarriages, death, and so on. After a gripping stroll through 550 pages, readers are left with a satisfying ending of justice and hope for Ava and Midi. This novel is distinctive in thought and elocution, but it is also dense and full of adult content. It could have a limited audience among teens.-Mindy Whipple, West Jordan Library, UT

Copyright 2013 School Library Journal, LLC Used with permission.

Starred review from September 15, 2013
In the royal Scandinavian city of Skyggehavn, in 1572, two women who work in the palace find themselves involved with poisons, intrigue, violence and history. Many voices weave together to form the narrative. Ava Bingen, a seamstress whose fortune changes when she mistakenly pricks the queen with a needle, narrates many chapters. Midi Sorte, the "Negresse" taken aboard a slave ship from an unnamed part of Africa and now a royal nursemaid, tells her story in a stylized, lyrical voice ("I do not like to hold a pen....It feel a silly thing to me, to tell a story through the fingers"). A third-person omniscient narrator adds more perspectives, among them the pained, ineffective king, Christian V, who loves a ruthless male adviser, and Christian's petulant, bloodthirsty daughter, Beatte. Interspersed throughout are short fairy tales with dark twists--a princess rewarded for her craftiness when she steals from a girl who eats a poisoned apple, for instance. The story never disguises the grotesque and public nature of bodies or the violence of the court. Readers frequently see Christian talking to his beloved Nicholas while seated at his toilet stool or doctors meticulously examining royal women's genitals. Both Ava and Midi experience rape at the hands of a powerful man, and Midi in particular is routinely dehumanized, lending the story a sad ring of authenticity. Though the publisher suggests a 16-plus audience, it is not beyond sophisticated younger teens. Sometimes bleak, but complex and carefully crafted--mesmerizing. (Historical fiction. 14 & up)

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November 1, 2013
Grades 10-1 Skyggehavn, a fictional sixteenth-century kingdom, is a desperate place plagued by madness, disease, and mercury poisoning. Political intrigue, murder, and manipulation abound as Cokal wends the troubling tale of Ava, an aspiring royal seamstress, and Midi, a mute foreign nursemaid, who together orchestrate a daring gambit to ensure both the continued power of the reigning queen and the downfall of the cruel man who sadistically took advantage of them both. The author seamlessly interweaves crooked fairy tales throughout her dark story, which only serves to underscore the grim realities of the women who suffer terrible violence at the hands of brutal men. The graphic depictions of sex and rape make this a difficult readand reserve it for the most mature readersthough Cokal gives a powerful and poignant voice to both Ava and Midi, whose indignation simmers until they enact a gruesome form of revenge. Despite the challenging content, the book's lyrical writing, enthralling characters, and compelling plot will give older readers lots to ponder.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)