And We're Off

April 3, 2017
Schwartz, a writer for the New York Observer and the creator of the popular
@DystopianYA and @GuyInYourMFA Twitter accounts, debuts with the story of 17-year-old Nora Parker-Holmes, whose summer trip to Europe is upended by her mother’s spontaneous decision to tag along. Nora and her mother bicker their way through Paris, Amsterdam, and Ireland, where Nora has been accepted as a summer fellow at an art colony. She longs to follow in the footsteps of her grandfather, a famous artist who has paid for this trip and given her art-related assignments for each city, such as sketching portraits on Paris’s Left Bank. Nora’s time in Ireland and the friends she makes there (including romantic interest Callum) help her character deepen beyond her anger at her mother. This story follows a predictable trajectory as Nora comes to see her mother’s presence as lucky, but her journey to understand who she is, both as a person and an artist, is rewarding, as is the evident love behind her grandfather’s assignments and advice. Ages 12–up. Agent: Dan Mandel, Sanford J. Greenburger Associates.

September 4, 2017
For the audio edition, voice actor Fortgang adds realism to the mother-daughter dynamic at the center of Schwartz’s debut novel. Aspiring artist Nora, age 17, is thrilled to be accepted into a prestigious summer program for young artists in Ireland, and even more thrilled when her grandfather, a well-known professional artist, pays for her to take a trip around Europe in the weeks leading up to the program. In addition to looking forward to immersing herself in art, Nora can’t wait to get away from her mother, who is unsupportive of her art and has been negative, nagging, and argumentative since Nora’s father left her and recently remarried. Unfortunately for Nora, at the last minute her mother decides to join in on her dream vacation. Reader Fortgang captures both the youthful frustration of a teenager yearning to be independent and the jadedness of a middle-aged mother whose life did not turn out the way she’d hoped. She is most impressive during the many arguments between mother and daughter, who they bicker their way through Paris, Amsterdam, and Ireland. Fortgang bounces back and forth between characters so effortlessly that it sounds as if two actors are providing the dialogue. Fortgang is also adept at accents, creating distinctive voices for Scottish, Irish, and Australian characters. Her lively and entertaining narration makes this fun story even more of a treat to listen to. Ages 12–up. A Razorbill hardcover.