Ophelia

December 4, 2006
In her impressive first novel, Klein retells Hamlet
, expanding on the romance between its hero and Ophelia, who narrates this version. Keeping true to the framework of the play, the heroine, now 16, reports the tragic events in the troubled Elsinore castle. When she first speaks to Hamlet, Ophelia is a 10-year-old ragged tomboy tagging along after her brother, Laertes. A year later, Ophelia is accepted into Queen Gertrude's court ("Becoming a lady, I learned, was not easy"), and she grows into a beautiful, rather outspoken young woman with an interest in herbs. Her quick wit attracts the prince's attention, and their Shakespearean-style banter will delight readers. Hamlet and Ophelia secretly become husband and wife, and on their wedding night, the ghost of Hamlet's father appears at the castle; Horatio, at the stroke of midnight, barges into the newlyweds' bedroom calling, "To the ramparts, Hamlet. It comes!" Readers familiar with the play will know that Hamlet's feigned madness to seek revenge eventually proves to be his undoing. As things rage out of control, Ophelia fears for her own safety ("My life... is worth no more than a beast's"). Klein smoothly weaves in lines from the play and keeps her characterizations true to the playwright's, even as she rounds out the back story. Teens need not be familiar with Shakespeare's original to enjoy this fresh take—with the added romance and a strong heroine at its center. Ages 12-up.

February 1, 2007
Gr 8 Up-Using Hamlet as the basis for her tale, Klein relates the familiar events from the play, with Ophelia as the focal point. Thus, readers see the social-climbing Polonius as a negligent father, the queenly Gertrude as a concerned and observant mentor, the bewildered Hamlet as a fervent lover, and Horatio as a loyal friend who loves Ophelia from afar. But the novel goes beyond the life of the play for, instead of dying, Ophelia secretly weds Hamlet, escapes Elsinore (taking refuge in a convent in France), bears Hamlet's son, and reunites romantically with Horatio to bring the story full circle. Easy to follow and moving at a rapid pace, the story introduces new characters who add depth to the tale. Klein sets the story in the Elizabethan era rather than in the medieval time frame of the original play; her detail-rich text conveys considerable information about courtly life, intrigue, and the societal mores of the times. She includes adapted versions of some of Shakespeare's best-known lines to keep the flavor of the Bard's work; however, the changes in the language may strike a discordant note with purists and with those who prefer the poetic text. Nonetheless, this is a successful and engaging story that is more thought-provoking than Lisa Fiedler's "Dating Hamlet" (Holt, 2002), as it deals with issues of justice more than revenge, with wholeness of character more than romance. It is sure to be popular with young women struggling with issues of honor, betrayal, and finding one's path."Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI"

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