Juliet Takes a Breath

Starred review from August 19, 2019
In this retooling of her YA debut, Rivera explores intersectional feminism through a self-described “closeted Puerto-Rican baby-dyke from the Bronx.” Juliet Palante has just finished her freshman year of college, and after seeing her girlfriend off and coming out to her family, she’s headed to Portland, Ore., to intern for “the Pussy Lady”: Harlowe Brisbane, author of Raging Flower: Empowering Your Pussy by Empowering Your Mind. Brisbane, who is white, is awfully relaxed about the internship and their living arrangements, and her brand of feminism seems limited to Juliet, who is not sure she can be comfortable in New Agey, predominantly white Portland. But Palante means “to move forward,” and in Rivera’s expansive prose (a mix of letters, book excerpts, and narration), Juliet does. In trying to keep it together, and sometimes succeeding, she comes off as wonderfully human, worrying about her first girlfriend (and maybe her second); her mother’s bad reaction to her coming out; and navigating micro aggressions, new ideas, and research before Google. Best of all, Juliet’s eye-opening summer of identity research reflects early adult life—intense experiences and relationships, and the work of finding oneself—in all its messy, confusing splendor. Ages 14–up.

November 16, 2020
This boisterous graphic adaptation of Rivera’s YA novel, cocreated with newcomer cartoonist Moscote, captures the generous spirit—and spirited provocations—of the original. Juliet Milagros Palante, age 19, is a baby dyke from the Bronx, N.Y., with a secret long-distance girlfriend. It’s the summer after her freshman year of college, and she’s headed to Portland, Ore., for an internship with Harlowe Brisbane, author of Raging Flower: Empower Your Pussy, Empower Your Mind. The night before her departure, Juliet decides to come out to her Puerto Rican family; while her abuela kisses her goodbye on the cheek, her mother is less accepting. So starts a summer of self-discovery, culture clash, and growth. “Feminism... still sounds weird. Too white,” admits Juliet. The pitch-perfect cast of characters she meets up with in Portland, imbued with a particular self-congratulatory brand of activism, provide ample fodder for humor and conflict. Moscote’s exuberant art celebrates Juliet’s curves and curls. The color palette is heavy in pinks, purples, peaches and deep blues—capturing heartbreak, summer crushes, and the sunrise of new beginnings. Rivera pokes at big questions around the intersection of race and queerness, and even if some of her headier message have been simplified here, this brightly drawn version maintains its integrity. Juliet’s original outing won Rivera devoted readers, who will surely champion this accessible adaptation. Agent: Joanna Volpe, New Leaf Literary.