The Bombs That Brought Us Together

June 20, 2016
In this allegorical coming-of-age novel, 14-year-old Charlie Law struggles to stay alive in a war zone amid prejudice and tough decisions. Charlie lives in Little Town, where a corrupt regime rules through fear and tyranny, and criminals have all the power. When he befriends Pavel Duda, whose family fled the neighboring Old Country, both boys experience culture shock but become inseparable. Then Old Country bombs and occupies Little Town, disrupting the social and civil structures. To survive, Charlie and Pav become indebted to the powerful Big Man, a crime lord with access to food and medicine, but when his demands for repayment become unthinkable, Charlie has to take a stand. Conaghan (When Mr. Dog Bites) presents a compelling situation with no easy answers; it’s easy to sympathize with Charlie’s moral and ethical dilemmas, and the dichotomy between Old Country and Little Town could fuel provocative discussions. However, the generic, ambiguous nature of the setting and conflict—while striving for universality—can be distracting in its lack of detail, giving readers little grounding. Ages 14–up. Agent: Ben Illis, Ben Illis Agency.

July 15, 2016
All things considered, Charlie had been having a pretty good summer. He had a new friend in his refugee neighbor Pavel "Pav" Duda, a new man cave (actually an old shed), and a new way to get Erin F's attention. But his life changes completely when Old Country tries to bomb Little Town to smithereens. It is tempting to overlay current political unrest onto this novel, but by naming the warring regions Little Town and Old Country, Conaghan creates a timeless allegory. The differences between the people of Little Town and Old Country are not disclosed, but Pav's name, speech, and blue eyes are used to mark him as an "Old Country bastard." Charlie and the other Little Town citizens speak a "lingo" characterized by idioms and colloquialisms that separates them both from our reality and from Old Country refugees like Pav, whose command of the grammar is shaky. This lingo, together with Charlie's sense of humor, makes the tone deceptively light. The slow pace allows the tension to build imperceptibly, like a crane lifting an anvil over the heads of unsuspecting readers. Conaghan tackles the complexities of war, occupation, and totalitarianism in a direct and accessible way, portraying violence frankly but without sensationalism. Charlie's understanding of what is taught about others versus what is actually the truth speaks volumes. Charlie's cleareyed account delivers a powerful anti-war statement without a hint of pedantry.(Fiction. 10-14)

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July 1, 2016

Gr 7 Up-Told from the perspective of 14-year-old Charlie, this book brings light to communities where teens are struggling under a repressive government or regime pressured by a larger neighboring nation (think current events in Ukraine or the Middle East). Set in a fictional modern world, this story features a teenager who befriends a refugee who moved from Old Country, the neighboring nation that bombs Little Town. Their friendship grows and is tested, most notably by school bullies and the corrupt gang leader Big Man. Charlie struggles with the lure of a gang leader who offers what he needs during a time of crisis, the social pressures of cultural prejudice, and even desire for the pretty girl at school. The slow-moving plot eventually crescendoes into an unexpected climax-readers will fly through the last portion of the book in one sitting. VERDICT Recommended for classroom discussion and for those interested in realistic fiction about a world in turmoil.-Seth Herchenbach, McHenry Community College, IL

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