The Book Thief

xxpish - Liesel Meminger’s life isn’t so great; her brother died not too long ago, her mom is taken away and she is left to foster parents. When she sees a book lying on the ground at her brother’s funeral, she picks it up, and keeps it. So begins her childhood as a book thief—fascinated by books, by words. Her foster mother is not the nicest person—she calls Liesel words that shouldn’t be said to a child. She bonds with her foster father Hans though, over late-night story-times, writing lessons in the basement, and accordion playing. Hans isn’t quite a Nazi; his loyalties lie somewhere else. That life, knowing what to expect and that continuity is disrupted by the son of Hans’ friend from the war, who shows up at their front door. Max is a Jew, and he is looking for help. So the Hubermanns take him in, give him a hiding place in the basement to stay and provide him with food. Over the time, he and Liesel become friends and realize that they have a lot in common. They share memories, and spend time together. The only thing is, he has to be kept secret. If someone finds out, the consequences won’t be good. This is the story of a young girl, growing up and living life surrounded by Nazi Germany, stealing books and living with a Jew. Narrated by the unique voice of death, this acclaimed novel is definitely worth reading. My thoughts: This book was very enjoyable. With the narration of death, it had all sorts of fun different perspectives of looking at the world. It is written in a really quirky and awesome way; it’ll be in the middle of telling a story of someone dying, and then it’ll break into this little mini-paragraph and say something like “The sky was the color of burning newspaper.” It was intriguing and the story was great, as were the characters. You know, this was a weird book. In a good way. It kind of HAS no summary. Call me crazy, but in my mind it was one of those books that you can’t really describe, other than “a girl living in Nazi Germany.” Does that make sense? Probably not. I absolutely loved Zusak’s writing style, and I think this definitely deserved the Printz award. I look forward to more Markus Zusak!

Starred review from January 30, 2006
This hefty volume is an achievement—a challenging book in both length and subject, and best suited to sophisticated older readers. The narrator is Death himself, a companionable if sarcastic fellow, who travels the globe "handing souls to the conveyor belt of eternity." Death keeps plenty busy during the course of this WWII tale, even though Zusak (I Am the Messenger
) works in miniature, focusing on the lives of ordinary Germans in a small town outside Munich. Liesel Meminger, the book thief, is nine when she pockets The Gravedigger's Handbook
, found in a snowy cemetery after her little brother's funeral. Liesel's father—a "Kommunist"—is already missing when her mother hands her into the care of the Hubermanns. Rosa Hubermann has a sharp tongue, but Hans has eyes "made of kindness." He helps Liesel overcome her nightmares by teaching her to read late at night. Hans is haunted himself, by the Jewish soldier who saved his life during WWI. His promise to repay that debt comes due when the man's son, Max, shows up on his doorstep. This "small story," as Death calls it, threads together gem-like scenes of the fates of families in this tight community, and is punctuated by Max's affecting, primitive artwork rendered on painted-over pages from Mein Kampf
. Death also directly addresses readers in frequent asides; Zusak's playfulness with language leavens the horror and makes the theme even more resonant—words can save your life. As a storyteller, Death has a bad habit of forecasting ("I'm spoiling the ending," he admits halfway through his tale). It's a measure of how successfully Zusak has humanized these characters that even though we know they are doomed, it's no less devastating when Death finally reaches them. Ages 12-up.

Starred review from March 1, 2006
Gr 9 Up -Zusak has created a work that deserves the attention of sophisticated teen and adult readers. Death himself narrates the World War II-era story of Liesel Meminger from the time she is taken, at age nine, to live in Molching, Germany, with a foster family in a working-class neighborhood of tough kids, acid-tongued mothers, and loving fathers who earn their living by the work of their hands. The child arrives having just stolen her first book -although she has not yet learned how to read -and her foster father uses it, "The Gravedigger -s Handbook", to lull her to sleep when she -s roused by regular nightmares about her younger brother -s death. Across the ensuing years of the late 1930s and into the 1940s, Liesel collects more stolen books as well as a peculiar set of friends: the boy Rudy, the Jewish refugee Max, the mayor -s reclusive wife (who has a whole library from which she allows Liesel to steal), and especially her foster parents. Zusak not only creates a mesmerizing and original story but also writes with poetic syntax, causing readers to deliberate over phrases and lines, even as the action impels them forward. Death is not a sentimental storyteller, but he does attend to an array of satisfying details, giving Liesel -s story all the nuances of chance, folly, and fulfilled expectation that it deserves. An extraordinary narrative." -Francisca Goldsmith, Berkeley Public Library, CA"

Copyright 2006 School Library Journal, LLC Used with permission.

January 1, 2006
Gr. 10-12. Death is the narrator of this lengthy, powerful story of a town in Nazi Germany. He is a kindly, caring Death, overwhelmed by the souls he has to collect from people in the gas chambers, from soldiers on the battlefields, and from civilians killed in bombings. Death focuses on a young orphan, Liesl; her loving foster parents; the Jewish fugitive they are hiding; and a wild but gentle teen neighbor, Rudy, who defies the Hitler Youth and convinces Liesl to steal for fun. After Liesl learns to read, she steals books from everywhere. When she reads a book in the bomb shelter, even a Nazi woman is enthralled. Then the book thief writes her own story. There's too much commentary at the outset, and too much switching from past to present time, but as in Zusak's enthralling " I Am the Messenger" (2004), the astonishing characters, drawn without sentimentality, will grab readers. More than the overt message about the power of words, it's Liesl's confrontation with horrifying cruelty and her discovery of kindness in unexpected places that tell the heartbreaking truth.(Reprinted with permission of Booklist, copyright 2006, American Library Association.)