Jude the Obscure

Author Thomas Hardy espoused Shakespeare's dictum (from King Lear): "As flies to wanton boys are we to the gods; they kill us for their sport." He particularly exhibits this pessimism in Jude the Obscure, his tragedy about Jude Fawley, a stonemason torn by ambitions both intellectual and carnal, and Sue Whitehead, an early feminist whom Jude loves and who sometimes loves Jude. A compelling novel is made more so in this audio version by the outstanding work of Frederick Davidson. Always dependable, Davidson here excels in his use of measured dramatics; his consistent differentiation of a large cast of characters from varying social, educational and, therefore, dialectal groups; and his obvious personal involvement in the miseries of the two main characters. T.H. (c)AudioFile, Portland, Maine

July 29, 2013
The controversial tale of Jude Fawley and his unconventional relationship with his cousin, Sue Bridehead, is as fascinating today as it was when Hardy published the novel in 1895. Beautifully narrated by the gifted Neville Jason, this story of repression, judgment, and true love will appeal to listeners who love the classics. Jason’s proper tone and slow pacing is a perfect fit for Hardy’s prose. As Jude, Jason shifts his voice to become, by turns, optimistic and lovelorn, while the supporting characters are equally well crafted. The result is a truly memorable literary experience that demands repeated listens.

This is why you listen, or why you should: Because a good performance is more than an easy way to "read" a book. And a great performance enhances the original, no matter how great (or not) it may be. Jenny Sterlin animates Hardy's characters without calling attention to herself--that is without raising thoughts of "here's a woman trying to sound like a man." She encourages continued listening when continued reading might be difficult; for example, when Sue and Jude are at their most exasperating. Sterlin's performance is recommended to all listeners--not just fans of Hardy or classic British literature. After all, this is why you listen. Or why you should. T.J.W. (c) AudioFile 2004, Portland, Maine