Milkweed

Milkweed
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مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
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فرمت کتاب

audiobook

تاریخ انتشار

2003

Lexile Score

510

Reading Level

1-2

ATOS

3.6

Interest Level

K-3(LG)

نویسنده

Ron Rifkin

شابک

9780807218600
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
He can't remember anything before stealing food from street shoppers. People mistake him for a Jew, but he's really a Gypsy. Day by day Warsaw, Poland, becomes more dangerous as "jackboots" (Nazis) take over every aspect of city life. When this young boy is "adopted" by an adult street person, he learns about orphans, angels, carousel horses, and survival in this dark time in history. Ron Rifkin uses a gentle, somber voice that fits the reflective recollection of the main character's flashback into time. His nuances help readers laugh in all the right places, proving that even in the grayest landscape, hope and laughter can be found. J.M.S. Winner of 2004 ALA/ YALSA Recording (c) AudioFile 2004, Portland, Maine

Publisher's Weekly

September 1, 2003
For this WWII tale set in Warsaw, Spinelli (Wringer) invents a narrator akin to Roberto Benigni's character in Life Is Beautiful. The narrator intermittently indicates that he has some distance from the events, but his perspective affords him no insight, so readers may be as confounded as he. As the novel opens, Uri, a larger boy, chases down the narrator and pries away the loaf of bread he has pinched: " 'I'm Uri... What's your name?'... 'Stopthief.' " After Uri realizes that the boy truly does not know his own name, Uri gives him one—Misha Pilsudski—as well as a past (befitting the boy's "Gypsy" appearance). Simple-minded Misha admires the Nazis, whom the boys call "Jackboots" ("They were magnificent. There were men attached to them, but it was as if the boots were wearing the men.... A thousand of them swinging up as one, falling like the footstep of a single, thousand-footed giant"). Misha comes off as a clown, and for children unfamiliar with the occupation and its horrors, the juxtaposition of events and Misha's detached relating of them may be baffling (Nazis force Jews to wash the street with their beards, and hang one of Misha's friends from a street lamp). At times, he seems self-aware ("I had no sense. If I had had sense, I would know what all the other children knew: the best defense... was invisibility"), yet these moments are aberrations; he never learns from his experience, and a postlude does little to bring either his perspective or the era into focus. Ages 10-up.



Publisher's Weekly

January 12, 2004
Conveying a sometimes-astonishing naïveté in light of the brutality seen through the eyes of an orphan boy, Rifkin breathes emotion into Spinelli's novel, which is set in Poland during the Holocaust. In 1939 Warsaw, a runty, ragged street thief who doesn't even know his name or if he ever had a family finds himself taken under the wing of a sharp, slightly older boy named Uri. The younger boy, now called Misha, learns a new, even more wretched way of life under Nazi occupation. He witnesses murder, torture and hatred firsthand, as taken out on the Jews by the cruel soldiers he knows as Jackboots. He further hones his scrappy survival skills, becomes part of a Jewish family in the ghetto and, miraculously, continues to muster hope as the months and years pass. Via Rifkin's cool yet compelling delivery, listeners discover—right along with an always wide-eyed Misha—some of the horrors that many innocent people suffered during this dark era of history. Though some listeners may be puzzled by Misha's detached air and consistent lack of awareness, Rifkin succeeds in making the audio experience an ultimately enlightening one. Ages 10-up.




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