I Am the Messenger

When hapless cabdriver Ed Kennedy offhandedly stops a bank robbery, someone takes notice. The Ace of Diamonds appears in his mailbox with three addresses written on it. Ed is supposed to deliver a message to these addresses, but no one is telling him what that message is. All he is told is that his life depends on it. Narrator Marc Aden Gray not only nails the fatalistic and hilarious voice of Ed, but also gives voice to the innumerable characters Ed encounters. With his unique voices, particularly those of a barefoot runner, an elderly widow, and Ed's own coffee-drinking dog, Gray seems to delight in each twist of author Markus Zusak's dialogue. The message, then, is quite clear--this is an audio experience not to be missed. K.C. Winner of AudioFile Earphones Award (c) AudioFile 2006, Portland, Maine

December 11, 2006
Two Aussie slackers stumble into a bank robbery, and inadvertently prevent it, bickering about their jalopy all the while. One of them, Ed Kennedy, a 19-year-old taxi driver, soon receives mysterious playing cards in the mail, and winds up taking on other, similarly baffling reclamation and assistance projects, prodded by an unknown guardian angel. Gray's reading accentuates Zusak's amusing tale with a series of comically elongated Aussie vowels for Ed's first-person narrative. Gray doesn't quite sound like a teenager—his diction is too precise, too well-studied for that—but he captures something of the broad humor and lackadaisical good cheer of late adolescence. Zusak's book mingles drama and comedy admirably, and Gray nimbly shifts gears—far more fluidly than that jalopy ever could. Ages 12-up.

Starred review from January 17, 2005
Australian cabdriver Ed Kennedy is 19, aimlessly lurching into adulthood when he thwarts a bank robbery in the hilarious opening scene of this gritty, gripping and ultimately romantic mystery. Ed's 15 minutes of fame set his life in a new direction: he begins receiving playing cards with cryptic clues, such as addresses or names unknown to him. Following these clues leads him to intervene in the lives of others. In the most chilling bit, a gun appears in his mailbox, which he assumes is intended for his use in dealing with a man who is brutalizing his wife. The assignments don't get more violent but they do get more personal, such as those involving Ed's mother, "one of those tough women you couldn't kill with an axe,"and his lovable misfit mates—Ritchie, Marv and Audrey. Zusak takes the subtleties of family dynamics, previously examined in his Fighting Ruben Wolfe
and Getting the Girl
, to a new level here. As the novel progresses, even Ed's unsympathetic parents take on three dimensions. The author artfully pulls readers through the many plot twists, building to a startling revelation. The metafictional ending may strike some readers as a shortcut, but it's sure to spark discussion, and readers will remember the characters long after they close the book. Even Ed's rank-smelling dog, The Doorman, is well-drawn. Graphic situations (both violent and sexual) mark this as a book for more sophisticated readers. Don't start this compulsively readable book without enough time to read it straight through to the final page. Ages 12-up.