Okay for Now

Doug Swieteck, who has just moved to a new town and is struggling with an abusive father, is trying to figure out who he is. Lincoln Hoppe has no trouble finding a voice for the hero or accenting the novel's dark, lyrical tone. The first-person point of view reaches out to involve listeners in the story, and Hoppe makes the most of these invitations. He captures Doug's indecision--will he adopt the hard tones of his father and older brother or his mother's tenderness? Hoppe expresses Doug's attempts to cope with abuse as well as with his burgeoning creativity and the first stirrings of love. Just as skillfully, Hoppe delivers meaningful depictions of the minor characters. His considerable talents paint a vivid portrait of a troubled family and an unforgettable hero. S.W. Winner of AudioFile Earphones Award (c) AudioFile 2011, Portland, Maine

February 21, 2011
This companion to The Wednesday Wars follows the formula of Schmidt's Newbery Honor winner with less success. Doug Swieteck, a prankster in the previous book, has graver problems than Holling Hoodhood did, making the interplay of pathos and slapstick humor an uneasy fit. In summer 1968, the Swietecks leave Long Island for the Catskills, where Doug's father has found work. Doug's mother (like Holling's) is kind but ineffectual; Mr. Swieteck is a brutish jerk. His abuse of his three sons, one of whom is currently in Vietnam, happens mostly offstage, but one episode of unthinkable cruelty is recounted as a flashback to explain why Doug refuses to take off his shirt in gym class. Doug does make two key friends: Lil, whose father owns the deli for which Doug becomes delivery boy, and the less fleshed-out Mr. Powell, a librarian who instantly sees Doug's potential as an artist. There are lovely moments, but the late addition of an implausible subplot in which Lil, who has never shown an interest in acting, is drafted for a role in a Broadway play, seems desultory considering the story's weightier elements. Ages 10–14.