Crank

Dark, dismal, and scary--and no, it's not a horror novel (unless you're the parent of teenagers). Hopkins's novel follows the story of Kristina and her involvement in drugs, sex, and rape. Despite Kristina's dreadful encounters, the writing and narration of this work are a true treasure. Hopkins has written the text in free verse, which is amazing in itself, and Laura Flanagan's narration takes the story to a completely new height. Sounding like a young, scared teenager, Flanagan makes it impossible for the listener to turn off the recording. She uses Hopkins's carefully chosen line breaks as cues for adolescent vocal inflections and gives the impression that she has read, contemplated, and understood every single one of Hopkins's words. As depressing and shocking as it can be, this production is riveting. A.A. (c) AudioFile 2008, Portland, Maine

November 1, 2004
Nonfiction author Hopkins pens her first novel, written in verse, introducing 15-year-old narrator Kristina, who reveals how she became addicted to crank, and how the stimulant turned her from straight-A student to drug dealer, and eventually a teen mom. On a court-ordered visit to see her slimy and long-absent dad, she meets—and is instantly attracted to—Adam, who sports a "tawny six pack,/ and a smile." Soon, Adam introduces her to "the monster" (there, she also unleashes a new personality, id-driven Bree). Her addiction grows, as does Bree's control. Readers get a vivid sense of the highs and lows involved with using crank ("I needed food, sleep,/ but the monster denied/ every bit of it"). Her life changes quickly: Soon she's dating two guys, both of whom use crank; says "Fuck you" to her mom, can't keep up with school, and loses her old friends. There are plenty of dramatic moments: The first time she does crank, for example, her dad joins her. That same night, she stumbles into a bad area and is almost raped, and Adam's girlfriend tries to kill herself. Later in the book, she does get raped and starts selling the drug for the Mexican Mafia. Readers will appreciate the creative use of form here (some poems, for instance, are written in two columns that can be read separately or together), and although the author is definitely on a mission, she creates a world nearly as consuming and disturbing as the titular drug. Ages 14-up.