Graceling

Kristin Cashore's well-developed characters are completely realized in this full-cast production. Chelsea Mixon portrays Lady Katsa, who was born with a horrifying "grace" for killing. Mixon's nuanced portrayal gives an inside view of the confusions that torment this "graceling." These conflicts increase after she meets Po, an empathetic graceling. Zachary Exton's depiction of Po's soft steadiness contrasts with Mixon's picture of Katsa's flaring tempers. Listeners will feel the power of the connection between the two and its building intensity. Even minor characters are richly rendered. Their interactions, thoughts, and actions are well integrated in David Baker's strong narration, which animates events and astutely measures emotions. Musical interludes, both regal and somber, are as plentiful as the plot twists, and the result is a production listeners won't soon forget. S.W. Winner of AudioFile Earphones Award (c) AudioFile 2009, Portland, Maine

Starred review from July 21, 2008
In a land of seven kingdoms, people with special talents, called Gracelings, are identified by their eyes—Katsa’s are green and blue, one of each—although she’s eight before her specific Grace is identified as a talent for killing. (While in the court of her uncle, King Randa, she swiped at a man attempting to grope her and struck him dead.) By 18 she’s King Randa’s henchwoman, dispatched to knock heads and lop off appendages when subjects disobey, but she hates the job. As an antidote, she leads a secret council whose members work against corrupt power, and in this role, while rescuing a kidnapped royal, she meets the silver-and-gold–eyed Po, the Graced seventh son of the Lienid king. That these two are destined to be lovers is obvious, though beautiful, defiant Katsa convincingly claims no man will control her. Their exquisitely drawn romance (the sex is offstage) will slake the thirst of Twilight
fans, but one measure of this novel’s achievements lies in its broad appeal. Tamora Pierce fans will embrace the take-charge heroine; there’s also enough political intrigue to recommend it to readers of Megan Whalen Turner’s Attolia trilogy. And while adult readers, too, will enjoy the author’s originality, the writing is perfectly pitched at teens struggling to put their own talents to good use. With this riveting debut, Cashore has set the bar exceedingly high. Ages 14–up.