My Tiki Girl

June 2, 2008
As McMahon's (Promise Not to Tell) uneven first YA novel begins, 10th-grader Maggie, the narrator, has ensconced herself in the dysfunctional family of her new best friend, Dahlia Wainwright, whose imbalanced mother uses dolls to "predict the future, or maybe even control it." While describing the Wainwrights' rituals in great and often burdensome detail, the author gradually reveals that the formerly popular Maggie has survived a car accident that killed her mother and has left her with scars, a limp and a terrible sense of guilt. Maggie admires Dahlia (who "leaves traces of herself wherever she goes, the way a shooting star leaves a streak of light behind it"), and soon her feelings turn sexual. To this already freighted plot McMahon adds a story line about an improbably good band which the girls form with two classmates, both of whom seem cast much too conveniently. Although much of the story is far-fetched and ancillary characters are unconvincing, Maggie's feelings for Dahlia are believable, and lyrical descriptions buoy the prose. A satisfying end rewards readers who make it to the finish line. Ages 14-up.

August 1, 2008
Gr 9 Up-Maggie's sense of self was shattered, along with her leg, in a car crash that killed her mother two years ago. Now 15, she is reborn in the alternate identity of "LaSamba," an eager follower in the wild, creative fantasy world of her intoxicating new classmate Dahlia ("Tiki") and her mentally ill mother. In this emotionally powerful and realistic story set in the 1990s in a small town in Connecticut, Maggie loses herself completely in her new identity, and slowly but surely comes to find a true, new self that includes the indisputablebut scaryfact that she is a lesbian and in love with Tiki. Readers are swept along with Maggie's swirling feelings, making it easy to understand how easily this fragile, sensitive girl could lose herself. Secondary characters also have complex emotions and motivations. Had this novel been published 15 years ago, it would've been a groundbreaking addition to LGBT literature; as it is, it still stands strong as a period testament to the anti-"lesbo" feelings of that era, as well as simply a well-written tale of self-discovery. Sex scenes focus on emotion and are not overly explicit."Rhona Campbell, Washington, DC Public Library"

Copyright 2008 School Library Journal, LLC Used with permission.

June 9, 2008
As McMahon's (Promise Not to Tell) uneven first YA novel begins, 10th-grader Maggie, the narrator, has ensconced herself in the dysfunctional family of her new best friend, Dahlia Wainwright, whose imbalanced mother uses dolls to "predict the future, or maybe even control it." While describing the Wainwrights' rituals in great and often burdensome detail, the author gradually reveals that the formerly popular Maggie has survived a car accident that killed her mother and has left her with scars, a limp and a terrible sense of guilt. Maggie admires Dahlia (who "leaves traces of herself wherever she goes, the way a shooting star leaves a streak of light behind it"), and soon her feelings turn sexual. To this already freighted plot McMahon adds a story line about an improbably good band which the girls form with two classmates, both of whom seem cast much too conveniently. Although much of the story is far-fetched and ancillary characters are unconvincing, Maggie's feelings for Dahlia are believable, and lyrical descriptions buoy the prose. A satisfying end rewards readers who make it to the finish line. Ages 14-up.

Copyright 2008 Library Journal, LLC Used with permission.