Love

February 2, 2004
More a tapestry than a novel, Morrison's newest weaves the past into the present using perspectives as threads and voices as color. The author's soft voice forces listeners to pay close attention; even so, the novel's complex construction, coupled with her hushed tones, will have listeners reaching for "rewind" to capture the subtle details so important in Morrison's compositions. This audiobook is best suited for those prepared to concentrate closely and wait patiently as layer builds upon layer. The story opens in the 1930s on the Florida coast when L, who narrates the story from beyond the grave, sees Cosey holding his wife, Julia, in the ocean; L feels such waves of tenderness radiating off him that she signs on to his life forever and becomes both maid and chef at his hotel. The novel winds through the lives of Cosey's other women, including his granddaughter Christine and her best friend, Heed the Night Johnson. Cosey twirls them all around his little finger, abruptly and unapologetically marrying the 12-year-old Heed. Thread by thread, the novel builds as Cosey's women glitter around him, even after his death. Morrison leaves readers with the powerful realization: neither good nor evil, Cosey was simply a man. Simultaneous release with the Knopf hardcover (Forecasts, Sept. 1, 2003).

Starred review from September 1, 2003
At the center of this haunting, slender eighth novel by Nobel winner Morrison is the late Bill Cosey—entrepreneur, patriarch, revered owner of the glorious Cosey Hotel and Resort (once "the best and best-known vacation spot for colored folk on the East Coast") and captivating ladies' man. When the novel opens, the resort has long been closed, and Cosey's mansion shelters only two feuding women, his widow, Heed, and his granddaughter, Christine. Then sly Junior Viviane, fresh out of "Reform, then Prison," answers the ad Heed placed for a companion and secretary, and sets the novel's present action—which is secondary to the rich past—in motion. "Rigid vipers," Vida Gibbons calls the Cosey women; formerly employed at the Cosey resort, Vida remembers only its grandeur and the benevolence of its owner, though her husband, Sandler, knew the darker side of Vida's idol. As Heed and Christine feud ("Like friendship, hatred needed more than physical intimacy: it wanted creativity and hard work to sustain itself"), Junior of the "sci-fi eyes" vigorously seduces Vida and Sandler's teenage grandson. In lyrical flashbacks, Morrison slowly, teasingly reveals the glories and horrors of the past—Cosey's suspicious death, the provenance of his money, the vicious fight over his coffin, his disputed will. Even more carefully, she unveils the women in Cosey's life: his daughter-in-law, May, whose fear that civil rights would destroy everything they had worked for drove her to kleptomania and insanity; May's daughter, Christine, who spent hard years away from the paradise of the hotel; impoverished Heed the Night Johnson, who became Cosey's very young "wifelet"; the mysterious "sporting woman" Celestial; and L, the wise and quiet former hotel chef, whose first-person narration weaves throughout the novel, summarizing and appraising lives and hearts. Morrison has crafted a gorgeous, stately novel whose mysteries are gradually unearthed, while Cosey, its axis, a man "ripped, like the rest of us, by wrath and love," remains deliberately in shadow, even as his family burns brightly, terribly around him. (Oct. 28)Forecast:Morrison's measured pace—she produces a new novel every five years or so—does much to build reader anticipation. A full slate of media appearances (Today, Charlie Rose, NPR, etc.) and an 11-city tour will further whet appetites for her latest, which will be released in a first printing of 500,000.