We Are Music

ما موسیقی هستیم
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مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

ebook

تاریخ انتشار

2018

نویسنده

Nick Radford

ناشر

Little Simon

شابک

9781534409422
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
از نویسنده موسیقی است. . براندون استویی دومین کتاب کامل و بی‌نظیر را می‌اورد که یک درس تاریخ موسیقی دوستدار کودکان است که برای جمع‌اوری‌کنندگان کوچک در زندگی شما مناسب است. از نویسنده موسیقی و ویراستار خلاق مستقل / Kickstarter در کل، براندون استویی، یک کتاب هیئت مدیره جدید به نام ما موسیقی هستیم که به تاریخ موسیقی میچرخد. این کار با کف زدن، ضربه زدن و طبل شروع می شود و از انجا موسیقی در جهات مختلف حرکت می کند. از موسیقی کلاسیک گرفته تا جاز به کشور تا پانک و رپ تا هیپ هاپ، یک موضوع مهم وجود دارد که از میان هر اهنگی که تا به حال ساخته شده است می گذرد: ما.

نقد و بررسی

Publisher's Weekly

November 5, 2018
The author of Music Is... explores the history of musical genres and instruments, moving from simple “clapping, tapping, and drums” to Renaissance-era flutes and lutes, through the blues, country, and punk, and all the way to contemporary musical styles including pop, rap, and electronic music. In kinetic spreads, band, orchestra, and soloists perform; the figures, with squiggly facial features, come dressed in styles as various as the music they play, from shirttails and overalls to flats “perfect for sock-hopping dancing feet.” In smooth, rhyming couplets, Stosuy describes the disparate rhythms of musical styles and the instruments played: “Saxophone, bass, drums, cymbals ring,/ making bebop, samba, tap, and swing.” An end section defining each musical genre closes out this up-tempo outing that declares, “no matter how music’s changed, one thing’s always true:/ We are music, and music is you.” Ages up to 3.



Kirkus

January 1, 2019
This ambitious board book aims to promote an eclectic appreciation for music of all kinds.Music, from drumming to computer-generated sound, is introduced as a linear historical sequence with two pages devoted to each of 11 styles, including medieval European, orchestral, blues, and more. Most of the musicians are portrayed as children, many with darker skin tones and with hairstyles and garb commonly associated with each type of music. Radford works in a retro cartoon mode, varying his presentation slightly with each new musical style but including a dancing dachshund on almost every spread, presumably to enhance child appeal. Unfortunately, the book just can't succeed in reducing such a wide range of musical styles to toddler-appropriate language. The first two spreads read: "We start with clapping, tapping, and drums. // Lutes, flutes, and words are what we become." The accompanying illustrations show, respectively, half-naked drummers and European court figures reading, writing, and playing a flute. Both spreads feature both brown-skinned and pale-skinned figures. At first reading this seems innocent enough, but the implication that clapping and drumming are somehow less civilized or sophisticated than a European style is reinforced in Stosuy's glossary of music terms. He describes "Prehistoric Music" as "rhythmic music [made] with rocks, sticks, bones, and...voices," while "Renaissance Music" is defined as "multiple melodies played at the same time."The history of music is a big topic, and more-nuanced explanation is needed than the format allows. (Board book. 2-4)

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