Fairy Tales from the Brothers Grimm

Starred review from September 3, 2012
Pullman (The Good Man Jesus and the Scoundrel Christ) celebrates the 200th anniversary of the Grimm brothers’ first fairy tale collection in this collection of 50 tales, which draws from all seven original Grimm editions as well as other versions and Pullman’s own imagination. (He opens with a Tuscan proverb by way of Calvino that “the tale is not beautiful if nothing is added to it.”) Favorites like “Cinderella” and “Rumpelstiltskin” become just slightly bloodier, but all retain their old-fashioned feel. Pullman also resurrects tales of the Devil’s odd bargain with a soldier (“Bearskin”) and a girl who faces an enchanted lion (“The Singing, Springing Lark”). Smooth narration makes every tale accessible while keeping the mystical and lyrical qualities that make fairy tales so beloved. Afterwords provide bibliographic and scholarly information. Readers will enjoy not only returning to European fantasy’s roots but seeing how the tree still blooms. Agent: Jamie Byng, Canongate.

June 15, 2012

It's been 200 years since the publication of the first volume of Jacob and Wilhelm Grimm's Children's and Household Tales, and we'll be seeing celebrations. Norton is issuing an update of Maria Tatar's The Annotated Brothers Grimm, and now Pullman has jumped in with his own versions of 50 of the immortal tales, from perennials like "Cinderella" to less familiar gems like "Briar-Rose." The dark edginess of Pullman's own work (e.g., "His Dark Materials" trilogy) seems a good match for the Grimm tone of the originals.

Copyright 2012 Library Journal, LLC Used with permission.

February 1, 2013

Fifty tales are retold in this witty, fast-paced, and entertaining collection. In fairy-tale tradition, Pullman adds his own modern phraseology and an occasional event to the "originals" when he believes it will be an improvement. The conceits of the genre are respected and adhered to but the subtle changes make the stories compelling. It is charming to think of the Brave Little Tailor as "a weapon of mass destruction." This and a few other modernisms enliven the narratives. Pullman effectively makes use of other sources to tell the stories: an Uncle Remus conclusion for the ending of "The Cat and the Mouse Set Up House" and the epigram in "The Robber Bridegroom" from "Mr. Fox," which is similar to Much Ado About Nothing. He attributes and incorporates the original tellers and writers as collected by the Grimms as well as authors of other variants and other folktales. Each selection is referenced by type, source, and similar tale. Mention of the psychologist Bruno Bettelheim and scholars such as Maria Tatar, Jack Zipes, and Marina Warner point to varying interpretations of the stories. The introduction conveys his purpose and presents some history of the Grimms and information about the fairy-tale conventions found in their tales. Others have presented the complete tales (Zipes) and annotated tales (Tatar) and there are countless picture-book adaptations. Pullman's collection is noteworthy for the energetic pace of the stories and the subtle adaptations that make it accessible to modern readers. This is a collection for librarians and teachers to read aloud and to encourage listeners to imagine and retell in their own words.-Jackie Gropman, formerly at Chantilly Regional Library, VA

Copyright 2013 School Library Journal, LLC Used with permission.

Starred review from October 1, 2012
On the 200th anniversay of the first publication of Grimms' fairy tales (Kinder- und Hausmarchen), celebrated British author Pullman retells 50 of what he calls the cream of the brothers' 210 tales. Many of his selections are familiar ( Snow White, Cinderella, Little Red Riding Hood, etc.), while others ( Mount Simeli, The Three Snake-Leaves, Lady Heinz, etc.) are less so. However, what all have in common, in Pullman's retellings, are a salutary clarity and directness. His style is conversational, simple, and straightforward, without frills and furbelows; but less is more, as Pullman proves by providing a wonderfully rich reading experience. His book is not only stylish in its simplicity but also scholarly. In addition to his elegant introduction, he concludes each tale with his own always interesting commentary and provides, as well, the tale's type (based on The Types of International Folktales, by Antti Aarne), its source, and a short list of similar stories. There are, of course, any number of English-language versions and editions of Grimm, but few are as felicitous in their telling as Pullman's. His book surely belongs on the same shelf as the very best of those that appeal to general readers of all ages.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)