The Girls

Narrator Cady McClain is extraordinary here, her diction perfect, her performance of every sentence thoughtful, unforced, yet hypervigilant. The phenomenon of the group around Charles Manson, their motives and murders, continues to mystify, yet fascinate. Who were the people who fell for what Manson was selling, and if they weren't all insane, how did it go so far? Emma Cline has found a brilliant way to see it new, by imagining the girls around a Manson-like character, showing how his power over them works and how these acolytes in turn draw in Cline's vulnerable protagonist, 14-year-old Evie Boyd. Cline's psychology is acute, and her writing is dazzling. McClain remains invisible, but you never forget the jeopardy that underlies every scene as Evie drifts toward the unimaginable. B.G. Winner of AudioFile Earphones Award © AudioFile 2016, Portland, Maine

Starred review from August 29, 2016
This compelling and thought-provoking novel seeks to understand what might have motivated the young people who joined Charles Manson’s murderous cult in the 1960s, and how they were drawn under his spell. In this fictional account, middle-aged Evie looks back on the life-changing summer when she was 14, upset at her parents’ divorce, and feeling neglected and insecure. Enter Suzanne, a wild and mesmerizing older girl who draws Evie into the hippie
commune/cult led by charismatic and fanatical Russell Hadrick. Reader McClain is phenomenal, evoking the older Evie’s mature retrospection and struggle to analyze her own emotional state and the motivations of that tumultuous time, as well as the younger Evie’s yearning for acceptance and love and adventure. McClain also creates authentic, memorable voices for the other characters, including the lazy drawl of Suzanne and the seductive madness of Russell. A perfect marriage of text and narrator, this is the kind of audiobook that stays in your mind long after it’s finished. A Random House hardcover.

Starred review from February 15, 2016
A middle-aged woman looks back on her experience with a California cult reminiscent of the Manson Family in Cline’s provocative, wonderfully written debut. Fourteen years old in the summer of 1969, Evie Boyd enjoys financial privilege and few parental restrictions. Yet she’s painfully aware that she is fascinated by girls, awkward with boys, and overlooked by her divorced parents, who are preoccupied with their own relationships. When Evie meets “raunchy and careless” Suzanne Parker, she finds in the 19-year-old grifter an assurance she herself lacks. Suzanne lives at a derelict ranch with the followers of charismatic failed musician Russell Hadrick, who extols selflessness and sexual freedom. Soon, Evie—grateful for Russell’s attention, the sense of family the group offers, and Suzanne’s seductive presence—is swept into their chaotic existence. As the mood at the ranch turns dark, her choices become riskier. The novel’s title is apt: Cline is especially perceptive about the emulation and competition, the longing and loss, that connect her novel’s women and their difficult, sometimes destructive passages to adulthood. Its similarities to the Manson story and crimes notwithstanding, The Girls is less about one night of violence than about the harm we can do, to ourselves and others, in our hunger for belonging and acceptance. Agent: Bill Clegg, the Clegg Agency.