The Witch of Portobello

The Witch of Portobello
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2007

نویسنده

Rita Wolf

ناشر

HarperAudio

شابک

9780061450068
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Paulo Coelho does not disappoint in this story of the mysterious Athena and her quest for truth, love, and spirituality. Told through a series of interviews with at least a dozen characters, Coelho's tale is perfect for the audiobook format. This plot technique would challenge any narrator, but Rita Wolf is equal to the task. She moves seamlessly and convincingly between a British banker, a Romanian gypsy, and a holy man in the deserts of Dubai, to cite only a few of the characters. Portrayals of both genders and characters of varying ages are accomplished just as credibly. Wolf's performance and Coelho's writing combine to give the listener that rare experience in which message and medium are ideally matched. M.O.B. (c) AudioFile 2008, Portland, Maine

Publisher's Weekly

February 19, 2007
Multimillion-seller Coelho (The Devil and Miss Prym
, etc.) returns with another uncanny fusion of philosophy, religious miracle and moral parable. The Portobello of the title is London's Portobello Road, where Sherine Khalil, aka Athena, finds the worship meeting she's leading—where she becomes an omniscient goddess named Hagia Sophia—disrupted by a Protestant protest. Framed as a set of interviews conducted with those who knew Athena, who is dead as the book opens, the story recounts her birth in Transylvania to a Gypsy mother, her adoption by wealthy Lebanese Christians; her short, early marriage to a man she meets at a London college (one of the interviewees); her son Viorel's birth; and her stint selling real estate in Dubai. Back in London in the book's second half, Athena learns to harness the powers that have been present but inchoate within her, and the story picks up as she acquires a "teacher" (Deidre O'Neill, aka Edda, another interviewee), then disciples (also interviewed), and speeds toward a spectacular end. Coelho veers between his signature criticism of modern life and the hydra-headed alternative that Athena taps into. Athena's earliest years don't end up having much plot, but the second half's intrigue sustains the book.




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