Tiny Sunbirds, Far Away

This powerful debut novel recounts the story of Blessing as she grows from adolescence to adulthood in war-torn Nigeria. The emotional complexities, civil unrest, and cultural conflicts she encounters move this work far beyond the standard coming-of-age story. Early distractions caused by narrator Claudia Alick's contrived, childish voices and inconsistent accents eventually disappear, and her performance strengthens as the book progresses. She performs most convincingly as she captures the bitterness of Blessing's disillusioned brother, the desperation and wrenching grief of her mother, and the quiet strength and joy of Blessing herself as an adult. Alick lives up to Watson's lyrical prose and delivers a gripping presentation of life amid war as well as a celebration of the will to survive. M.O.B. (c) AudioFile 2011, Portland, Maine

Starred review from March 28, 2011
In Watson's impressive debut, 12-year-old Blessing is uprooted from her suburban Lagos, Nigeria, life when her mother Timi catches their father with another woman and moves Blessing and her brother, Ezikiel, to the outskirts of the dangerous, oil-rich Niger delta. The proximity to the oil fields, which erupt often in smoke, oil, and violence, exacerbates Ezikiel's poor health, and it's not long before a stray bullet sends him to the hospital. He survives, and takes up wandering the "evil forest" bush, home of the Sibeye boys, who kidnap oil workers and eat fireflies for strength. When Timi falls for a white oil worker, the Sibeyes become interested. Ezikiel takes up with them, discarding his dreams of becoming a doctor even as Blessing begins to help deliver babies, which gives her the confidence to take a stand against the genital mutilation that midwifes traditionally perform. Watson's nuanced portrayal of daily life in Nigeria is peopled with flawed but tenacious characters who fight not only for survival but for dignity. Blessing is a wonderful narrator whose vivid impressions enliven Watson's sensual prose.