One More for the Road

Bradbury's collection of short stories offers a mix of the author's best writing, expertly performed by Campbell Scott. Bradbury's authorial range is on display in this book. The collection alternates between science fiction and literate studies of the human condition, with the requisite twists and turns inherent in all of Bradbury's work. Scott handles the material well, even without significantly altering his voice. Female characters are a bit softer, and older people are scratchier, but Scott keeps us listening. He pauses at just the right time for maximum effect and is at his best when relating conversations. It seems the book's only shortcoming is that it's too short. R.I.G. (c) AudioFile 2003, Portland, Maine

March 11, 2002
"You do not build a Time Machine unless you know where you are going.... But I built my Time Machine, all unknowingly, with no destination in mind," explains a bemused time traveler in Bradbury's latest collection. Bradbury, who has taken readers on so many marvelous trips, has a similar approach to navigation. In this new volume of stories (17 of the 24 have never been published before), he maintains his unflinching dedication to the magic of everyday life. Relaxing into his favorite themes—memory, loneliness, childhood, love and time—he is not afraid to wax sentimental, but the sharp edge of his prose keeps the tales from cloying. Haunted settings are common: the ghost town in "Where All Is Emptiness There Is Room to Move"; the Parisian cemetery Père Lachaise in "Diane de Forêt"; and the L.A. streets of 1939 in "Tangerine," in which Bradbury tells the story of a tragically cool man who'd rather be dead than 30. The writer is at his best when he chronicles the child self he has never lost touch with. In "Autumn Afternoon," Miss Elizabeth Simmons cleans out her attic and discovers calendars she kept as a girl, checking off dates that were once important but are now mysterious. Bradbury, on the other hand, seems to remember everything—because at 81, he is still 18 at heart. In "With Smiles as Wide as Summer," a virtual prose poem about being a boy on perpetual vacation, he notes, "Circling, they knocked the echoes with their voices, plunged, rolled over, spun, jigged, shook themselves, raced off, hurtled back, leapt high, mad with summerlight and heat, unable to stop just being alive." The pure joy of earthly existence is something Bradbury has never forgotten. Southern California regional author tour; Harper Audio.

December 1, 2001
A collection of 25 new stories and catch the afterword by the author.

Copyright 2001 Library Journal, LLC Used with permission.

April 1, 2002
This assemblage of 25 more of Bradbury's short pieces constitutes a worthwhile addition to most sf and fantasy collections, even if it doesn't include a complete publication history of the pieces. For the record, the short-short "Smiles as Wide as Summer" dates from as far back as 1961. Among the most noteworthy entries are "The Dragon Danced at Midnight," a sublime satire of monster movies; "In Memoriam," about a father mourning a son who died in Vietnam; "Tete a Tete," in which the love of an elderly Jewish couple finds its way across many barriers, including death; and "The Laurel and Hardy Alpha Centauri Farewell Tour." "One-Woman Show," "First Day," and "Heart Transplant" are all good examples of Bradbury's continuing gift for graceful, vivid prose and unusual, sometimes alarming insights into human foibles. Bradbury is justly considered a master of the short story.(Reprinted with permission of Booklist, copyright 2002, American Library Association.)