Pygmy

Pygmy
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 3 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2009

نویسنده

Richard Powers

شابک

9781481568593
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

AudioFile Magazine
Paul Michael Garcia earned his paycheck for his performance of PYGMY, Chuck Palahniuk's (FIGHT CLUB) semi-comedic novel about a 13-year-old terrorist nicknamed for his diminutive size. Pygmy is one of many young agents from an unspecified nation who infiltrate the U.S. through a foreign student exchange program. Pygmy, in bizarre pidgin English, narrates the tale with sentences like: "Operative me seated surrounding meal table host American holiday. Present Vast Cow Father, Pig Dog Brother, Chicken Mother, Cat Sister host family all hands link so create fence." Garcia's challenge is to read the ungrammatical sentences carefully so listeners can interpret their meaning. The story is some kind of weird "Karate Kid as a young terrorist" effort, which is even funny at times. Overall, it's worth the effort. M.S. (c) AudioFile 2009, Portland, Maine

Publisher's Weekly

March 2, 2009
Palahniuk’s 10th novel (after Snuff
) is a potent if cartoonish cultural satire that succeeds despite its stridently confounding prose. A gang of adolescent terrorists trained by an unspecified totalitarian state (the boys and girls are guided by quotations attributed to Marx, Hitler, Augusto Pinochet, Idi Amin, etc.) infiltrate America as foreign exchange students. Their mission: to bring the nation to its knees through Operation Havoc, an act of mass destruction disguised as a science project. Narrated by skinny 13-year-old Pgymy, the propulsive plot deconstructs American fixtures, among them church (“religion propaganda distribution outlet”), spelling bees (“forced battle to list English alphabet letters”) and TV news reporters (“Horde scavenger feast at overflowing anus of world history”), before moving on to a Columbine-like shooting spree by a closeted kid who has fallen in love with the teenage terrorist who raped him in a shopping mall bathroom. Decoding Palahniuk’s characteristically scathing observations is a challenge, as Pygmy’s narrative voice is unbound by rules of grammar or structure (a typical sentence: “Host father mount altar so stance beside bin empty of water”), but perseverance is its own perverse reward in this singular, comic accomplishment.




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