The Thirteenth Tale

Elderly, well-loved author Vida Winter commissions Margaret Lea to record her biography in this gothic mystery. Bianca Amato is stunning as Margaret, who is coming to terms with the truth of her own life as she slowly unravels the facts of Ms. Winter's. Amato's respect for the power of story and the written word is heard in every utterance. Jill Tanner accomplishes a tour de force as the enigmatic and mysterious Vida. In conversation her voice has the hesitancy and fragility of an elderly woman, but her voice takes on the strength and power of a master storyteller as she weaves her spellbinding life story. An author interview is icing on the cake. N.E.M. (c) AudioFile 2006, Portland, Maine

June 26, 2006
Former academic Setterfield pays tribute in her debut to Brontë and du Maurier heroines: a plain girl gets wrapped up in a dark, haunted ruin of a house, which guards family secrets that are not hers and that she must discover at her peril. Margaret Lea, a London bookseller's daughter, has written an obscure biography that suggests deep understanding of siblings. She is contacted by renowned aging author Vida Winter, who finally wishes to tell her own, long-hidden, life story. Margaret travels to Yorkshire, where she interviews the dying writer, walks the remains of her estate at Angelfield and tries to verify the old woman's tale of a governess, a ghost and more than one abandoned baby. With the aid of colorful Aurelius Love, Margaret puzzles out generations of Angelfield: destructive Uncle Charlie; his elusive sister, Isabelle; their unhappy parents; Isabelle's twin daughters, Adeline and Emmeline; and the children's caretakers. Contending with ghosts and with a (mostly) scary bunch of living people, Setterfield's sensible heroine is, like Jane Eyre, full of repressed feeling—and is unprepared for both heartache and romance. And like Jane, she's a real reader and makes a terrific narrator. That's where the comparisons end, but Setterfield, who lives in Yorkshire, offers graceful storytelling that has its own pleasures.