Joy Comes in the Morning

Deborah Green is a young, vibrant, and deeply reverent rabbi committed to her faith and the people who need her. Dedicating herself fully to these responsibilities keeps her focused on others, and when she quite effortlessly finds herself falling in love with the son of hospital patient Henry Friedman, no one could be more surprised than she--and maybe Lev, the object of her affection. Lorna Raver is a marvelous performer whose depth and ability to reveal character transform a beautifully written novel about a loving family into a rare listening experience. B.J.P. Winner of AudioFile Earphones Award (c) AudioFile 2005, Portland, Maine

Starred review from July 12, 2004
Rarely has the life of a rabbi been examined with as much complexity—and sympathy—as in this second novel by the author of Eve's Apple
. Deborah Green is by all accounts a highly capable young woman, adored by her Manhattan congregants, adept at both weddings and funerals. But she can't shake her concern that all good rabbis are, as one of her teachers describes, just "the smoothest fakers around." In her role as a hospital chaplain, she encounters Henry Friedman, a Holocaust survivor who has suffered a stroke and whose diminished abilities have driven him to attempt suicide. This leads her in turn to Henry's son Lev, a science writer—and religious skeptic—who recently fled from his wedding to a non-Jew. Lev feels overshadowed by his ultra-competent brother, Jacob, and by his friend Neal Marcus, whose energetic mind has been derailed by schizophrenia. Lev's developing relationship with Deborah jump-starts his religious practice, but he struggles with the daily life of having a rabbi girlfriend. Deborah, whose secular family has always questioned her choice of occupation, is beset by lingering questions of legitimacy and professional duty. Rosen, a frequent contributor to the New York Times
and the New Yorker
and author of the popular nonfiction book The Talmud and the Internet
, writes with uncommon assurance about contemporary Judaism, whether the subject is Friedman family dynamics or the insecurities, comedies and small pleasures of everyday rabbinic life. Above all, this is a welcoming and intelligent look at Deborah's efforts to weld her many identities—woman, rabbi, Jew—into a cohesive whole. Agent, Sarah Chalfant.