Another Brooklyn

Starred review from April 11, 2016
In her first adult novel in 20 years, acclaimed children’s and YA author Woodson (winner of the National Book Award for her last book, Brown Girl Dreaming) combines grit and beauty in a series of stunning vignettes, painting a vivid mural of what it was like to grow up African-American in Brooklyn during the 1970s. When August, an anthropologist who has studied the funeral traditions of different cultures, revisits her old neighborhood after her father’s death, her reunion with a brother and a chance encounter with an old friend bring back a flood of childhood memories. Flashbacks depict the isolation she felt moving from rural Tennessee to New York and show how her later years were influenced by the black power movement, nearby street violence, her father’s religious conversion, and her mother’s haunting absence. August’s memories of her Brooklyn companions—a tightly knit group of neighborhood girls—are memorable and profound. There’s dancer Angela, who keeps her home life a carefully guarded secret; beautiful Gigi, who loses her innocence too young; and Sylvia, “diamonded over, brilliant,” whose strict father wants her to study law. With dreams as varied as their conflicts, the young women confront dangers lurking on the streets, discover first love, and pave paths that will eventually lead them in different directions. Woodson draws on all the senses to trace the milestones in a woman’s life and how her early experiences shaped her identity.

A slow jazz interlude sets the tone for Robin Miles's performance of this long-awaited new novel for adults by children's author Jacqueline Woodson. As August's father dies, she takes time away from studying funeral traditions around the world to come home. Returning brings myriad memories of "growing up 'Girl' in Brooklyn" in the 1970s--a time when the borough seemed idyllic to her and her three girlfriends but, in looking back, she now realizes was full of threats to the innocent. Miles's rich voice embraces dialects, accents, and moods as August's thoughts float back and forth in time, remembering childhood and adolescent experiences. Miles illuminates the novel's themes, celebrating Woodson's lines as if they were fine jazz improvisations. S.W. Winner of AudioFile Earphones Award © AudioFile 2016, Portland, Maine

March 1, 2016
Winner of ALA's Margaret A. Edwards Award for her lasting contributions to young adult literature and author of the "New York Times" best-selling memoir-in-verse, "Brown Girl Dreaming", which claimed the 2014 National Book Award, the Coretta Scott King Award, and a Newbery Honor, Woodson here reveals her tremendous crossover appeal. When protagonist August[?] encounters an old friend, she recalls long-ago days on the verge of adulthood in "another Brooklyn"--a place of warm friendship but also of lost mothers, threatening men, and the possibility of tragedy.

Copyright 2016 Library Journal, LLC Used with permission.

Starred review from November 1, 2016

Woodson brings us August, a first-person narrator akin to her own remembered self in her verse memoir for young people, Brown Girl Dreaming. In this novel, though, rather than focusing on how childhood foments a writer's impulse, the author operates dual lenses in relating another brown girl's experiences of becoming a woman in 1970s Brooklyn. August's voice shifts easily from a wide-angled adult perspective, as she returns to Brooklyn after 20 years for her father's funeral, into a telephoto clarity as she recalls her first sight of a magically joyful trio of neighborhood girls from the window of the third-floor apartment her father forbade her to leave after the family moved there from their rural Tennessee home. The adult August's fierce remembrance makes poignant the isolation and novelty of a city life she must enter motherless, so desperate to be the fourth fast friend, to make a perfect quartet of the three who dazzle and need her. The solemn refrains in this poeticized prose sound like the changing colors and cadences of the borough: her family's imperfect conversion to Islam, including August's work to resolve her denial of her mother's loss with a hijab-clad therapist; and the alluring yet dangerous navigation of the waters of girlhood toward the depths of sexual maturity. Teens of the searching sort, particularly those who have read the author's works for younger readers, may find this offering evocative of what school reunions can reveal: the talented may fly too high in fame, the privileged may not always embrace their advantage, and some raise themselves up and out while others are lost to obscurity. In the character of August, Woodson brings tidbits of research on the funeral practices of world cultures to bear on this keen examination of her Brooklyn in its many incarnations. VERDICT Something to savor for the nearly grown who have acquired a taste for the complex and bittersweet flavor of memory.-Suzanne Gordon, Lanier High School, Gwinnett County, GA

Copyright 2016 School Library Journal, LLC Used with permission.

Starred review from June 15, 2016

With spare yet poetic writing, this long-awaited adult novel by National Book Award winner Woodson (Brown Girl Dreaming) is a series of vignettes narrated by August, shortly after her dad's funeral and a chance encounter with an old friend. Reminiscing about the 1970s leads August to rediscover the nervousness she felt after her dad relocated her and her younger brother to Brooklyn amid a heroin epidemic, and how she always hoped her mom, who is haunted by her own brother Clyde's death in Vietnam, would arrive soon. Forever feeling like an outsider, August unexpectedly found sisterhood with Sylvia, Angela, and Gigi. Woodson movingly chronicles the ups and downs of friendship as the girls discuss everything from their hopes and dreams to their varying shades of blackness. While her dad and brother sought solace in the Quran, August still longed for a sense of belonging. Woodson seamlessly transitions her characters from childhood to adulthood as August looks back on the events that led her to become silent in her teen years, eventually fleeing Brooklyn and the memories of her former friends. VERDICT An evocative portrayal of friendship, love, and loss that will resonate with anyone creating their own identity and will have YA crossover appeal. [See Prepub Alert. 2/8/16.]--Stephanie Sendaula, Library Journal

Copyright 2016 Library Journal, LLC Used with permission.

December 1, 2016

When August and her family (minus her mother) move from the quiet of the country to the fast pace and clamor of 1970s Brooklyn, she is accepted by a tight group of friends from the neighborhood. From an adult vantage point, August narrates this memoirlike novel of those years in which school, sex, talent, and family prove to widen or narrow the paths of the young women's futures. Imbued with bittersweet nostalgia and realism. (http: //ow.ly/h2xF305MzTe)-Suzanne Gordon, Lanier HS, Gwinnett County, GA

Copyright 2016 School Library Journal, LLC Used with permission.

March 1, 2016

Winner of ALA's Margaret A. Edwards Award for her lasting contributions to young adult literature and author of the New York Times best-selling memoir-in-verse, Brown Girl Dreaming, which claimed the 2014 National Book Award, the Coretta Scott King Award, and a Newbery Honor, Woodson here reveals her tremendous crossover appeal. When protagonist August[?] encounters an old friend, she recalls long-ago days on the verge of adulthood in "another Brooklyn"--a place of warm friendship but also of lost mothers, threatening men, and the possibility of tragedy.

Copyright 2016 Library Journal, LLC Used with permission.

Starred review from June 1, 2016
In her first adult novel in 20 years, National Book Award-winning children's author Woodson (Brown Girl Dreaming, 2014, etc.) crafts a haunting coming-of-age story of four best friends in Brooklyn, New York."The year my mother started hearing voices from her dead brother Clyde, my father moved my own brother and me from our SweetGrove land in Tennessee to Brooklyn," says August. It was 1973. August was 8 years old; her younger brother was 4. Mourning the loss of their mother, it was hard for the children to be alone and friendless in a new city. But, gradually, August found friends: "Sylvia, Angela and Gigi, the four of us sharing the weight of growing up Girl in Brooklyn, as though it was a bag of stones we passed among ourselves." With such nuanced moments of metaphor as these, Woodson conveys the sweet beauty that lies within the melancholy of August's childhood memories. Now, 20 years later, August has returned to Brooklyn to help her brother bury their father. In lyrical bursts of imagistic prose, Woodson gives us the story of lives lived, cutting back and forth between past and present. As August's older self reckons with her formative childhood experiences and struggles to heal in the present, haunting secrets and past trauma come to light. Back then, August and her friends, burdened with mothers who were dead or absent, had to navigate the terrifying world of male attention and sexual assault by themselves. "At eight, nine, ten, eleven, twelve, we knew we were being watched," August says, achingly articulating the experience of a young girl coming of age and overwhelmed by the casual, commonplace, predatory violence of men. There's the pastor who presses his penis against Gigi's back when she sings in the choir; the ex-soldier in the laundry room who rapes Gigi when she's 12. There's August's first boyfriend and her first betrayal. To escape all this, August focuses on school and flees Brooklyn for college out of state and, eventually, work overseas. Here is an exploration of family--both the ones we are born into and the ones we make for ourselves--and all the many ways we try to care for these people we love so much, sometimes succeeding, sometimes failing. A stunning achievement from one of the quietly great masters of our time.

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