Cradle and All

Cradle and All
افزودن به بوکمارک اشتراک گذاری 0 دیدگاه کاربران 4 (1)

مشارکت: عنوان و توضیح کوتاه هر کتاب را ترجمه کنید این ترجمه بعد از تایید با نام شما در سایت نمایش داده خواهد شد.
iran گزارش تخلف

فرمت کتاب

audiobook

تاریخ انتشار

2016

نویسنده

Edoardo Ballerini

شابک

9781478914983
  • اطلاعات
  • نقد و بررسی
  • دیدگاه کاربران
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نقد و بررسی

Publisher's Weekly

May 22, 2000
His Alex Cross series (Pop Goes the Weasel, etc.) has made Patterson a top-selling author, but his most interesting work lies elsewhere: in his debut mystery, The Thomas Berryman Number; in last year's SF thriller, When the Wind Blows--and in this exciting and moving religious thriller about two pregnant virgins, one of whom may carry the Son of God and the other the Son of the Devil. If that plot line sounds familiar, it should. The novel is a reworking of Virgin, Patterson's second novel, published in 1980 by McGraw-Hill and long out of print. The narrative features the first-person/third-person narrative mix that's Patterson's trademark. The "I" belongs to ex-nun Anne Fitzgerald, now a PI. Her latest case for the Church involves investigating--and guarding--Newport, R.I. (i.e., rich), teenager Kathleen Beavier, who's eight months pregnant but, by expert medical testimony, a virgin. The Church is particularly anxious about Kathleen's condition because the Third Secret of Fatima (a real-life secret guarded by the Church since the Virgin Mary allegedly revealed it in 1917) prophesied two pregnant virgins: one bearing the Savior, the other the Devil's child. Anne eventually learns that indeed there's a poor girl in Ireland who's also pregnant, yet a virgin. Which girl carries which child? For texture, Patterson throws in some romance between Anne and a priest, but the novel's considerable suspense arises from his treatment of the central question as he speeds the action from America to Ireland to the Vatican, complicates it with a media frenzy over Kathleen, sharpens it as supernatural forces come into play and spins it with a wicked twist. While not subtle, this novel tackles issues of faith with admirable gusto. It could be a massive bestseller, appealing not only to Patterson's fans but also to those of the apocalyptic thrillers of LaHaye and Jenkins. 1 million first printing; $1 million ad/promo; Literary Guild main selection; author tour.



AudioFile Magazine
This latest Patterson offering, a mystical/religious thriller, is one of his best. Former nun and current P.I. Ann Fitzgerald is asked by the Vatican to investigate two reported pregnancies in virgin girls while the world is racked by misfortune and disease. As the children grow in their mothers' wombs, a faith-testing struggle between good and evil unfolds. Caruso is adept at handling both the narrative and the action. Her portrayals of male characters are exceptional. She fails only when representing the dark inner voices of evil, which are raspy and distracting, rather than fearsome. Still, Caruso's overall professional narration is a pleasure. A.L.H. (c) AudioFile 2000, Portland, Maine

Publisher's Weekly

December 5, 2016
This updated YA adaptation of Patterson’s 2000 thriller is built on a powerful premise: two pregnant teens, Kathleen of Newport, R.I., and Colleen of Maam Cross, Ireland, are medically confirmed to be virgins. This and further otherworldly occurrences (plagues, droughts) seem to conform to a prophecy given by the Blessed Mother Mary at her 1917 apparition in Fatima, Portugal, that two virgin births would occur, one the Son of God, the other the son of Satan. The Roman Catholic Church assigns Fathers Rosetti and O’Carroll to authenticate the medical claims, while a Boston cardinal hires private detective Anne Fitzgerald. Anne, the novel’s protagonist, is a former nun who gave up the calling because of feelings she had for Father O’Carroll. Her chapters, first-person accounts, are narrated by Soler, an actress who, though her Boston accent is acceptable, sounds a bit too young and too sweet for a practicing PI, even one who’d formerly carried a rosary instead of a gun. Reader Ballerini handles the objective, third-person chapters, which follow the grueling progress of Father Rosetti, whose Italian accent thickens during his many moments of extreme stress in encounters with a deep-voiced Satanic figure. Age 15–up.




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