Motherless Brooklyn

Starred review from August 30, 1999
Hard-boiled crime fiction has never seen the likes of Lionel Essrog, the barking, grunting, spasmodically twitching hero of Lethem's gonzo detective novel that unfolds amidst the detritus of contemporary Brooklyn. As he did in his convention-smashing last novel, Girl in Landscape, Lethem uses a blueprint from genre fiction as a springboard for something entirely different, a story of betrayal and lost innocence that in both novels centers on an orphan struggling to make sense of an alien world. Raised in a boys home that straddles an off-ramp of the Brooklyn Bridge, Lionel is a misfit among misfits: an intellectually sensitive loner with a bad case of Tourette's syndrome, bristling with odd habits and compulsions, his mind continuously revolting against him in lurid outbursts of strange verbiage. When the novel opens, Lionel has long since been rescued from the orphanage by a small-time wiseguy, Frank Minna, who hired Lionel and three other maladjusted boys to do odd jobs and to staff a dubious limo service/detective agency on a Brooklyn main drag, creating a ragtag surrogate family for the four outcasts, each fiercely loyal to Minna. When Minna is abducted during a stakeout in uptown Manhattan and turns up stabbed to death in a dumpster, Lionel resolves to find his killer. It's a quest that leads him from a meditation center in Manhattan to a dusty Brooklyn townhouse owned by a couple of aging mobsters who just might be gay, to a zen retreat and sea urchin harvesting operation in Maine run by a nefarious Japanese corporation, and into the clutches of a Polish giant with a fondness for kumquats. In the process, Lionel finds that his compulsions actually make him a better detective, as he obsessively teases out plots within plots and clues within clues. Lethem's title suggests a dense urban panorama, but this novel is more cartoonish and less startlingly original than his last. Lethem's sixth sense for the secret enchantments of language and the psyche nevertheless make this heady adventure well worth the ride. Author tour.

Rather than imposing himself on the work, Steve Buscemi, a name familiar to anyone following modern film noir, adds to Lethem's brilliant novel, making it his as well as the author's. This detective tale is told from the point of view of Lionel Essrog, one of four orphans banded together by private detective Frank Minna. When their mentor is murdered, Essrog seeks to solve not only the crime, but also the meaning behind his boss's enigmatic agency. The real novelty in this work lies in the protagonist's Tourette's syndrome, which manifests in ticks, verbal ejaculations, and obsessive attention to details. Rather than making a joke or gimmick out of the neurological condition, the author treats it as a part of Lionel Essrog that is sometimes sad, often funny, and always human. Buscemi's rendering of the verbal ticks is handled subtly and effectively, without overdoing or lampooning the condition. S.E.S. (c) AudioFile 2001, Portland, Maine